Bad Movie Monday: Zardoz (1974)

John Boorman’s oft-maligned film Zardoz celebrated it’s 50th anniversary on February 6th. Which made me curious to reread what I’d said about it in my review for Cinema-Crazed. I have this terrible memory you see, and I just couldn’t quite remember anything specific that I wrote, but I was absolutely 100% sure I must have written something interesting. So, I began to do a search on the site and, after finding nothing, I double and then triple and then quadruple checked. Nothing. It was then that I realized to my utter dismay and embarrassment that Mr. Dumbass (That’s me!) had never written a review. I had thought about it, bounced ideas in my head, had long debates with myself, but I never actually, you know… WROTE THE GOD DAMN THING. Today, that’s going to change.

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The Last Repair Shop (2023)

Now Officially Available to Stream on Youtube and Screening in Theaters.

Ben Proudfoot and Kris Bowers’ Oscar nominated documentary is a wonderful look at music and the human connection it can provide. In a world where less and less human contact is being explored, music is one of the last bastions we have where we’re capable of not only connecting with one another mentally, but emotionally, and sometimes physically. “The Last Repair Shop” is about the fragility and art of music and the instruments that make them.

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Trauma Bond (2022)

Director-Writer Jaina Cipriano’s dark drama is a wonderful master class not only in character study but in acting across the board. Cipriano really brings the best out of her small cast, all of whom help to enhance what is a very mesmerizing experience in explorations in trauma, hive minds, and the power of suggestion.

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The Bootleg Files: Wolfman vs. Godzilla

BOOTLEG FILES 854: “Wolfman vs. Godzilla” (unfinished fan film).

LAST SEEN: On YouTube and Internet Archive.


REASON FOR BOOTLEG STATUS: A right clearance issue.


From a creative artist’s perspective, I could never understand the appeal of making fan films. I appreciate when teens and pre-teens create these cinematic tributes – there’s something very charming when the James Bond or Star Wars orbits are reimagined by an alternative universe of the under-18 crowd. But when adults spend a great deal of time and money in creating fan films, it usually leaves me cold.
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Madame Web (2024)

In Sony’s quest to maintain the Spider-Man trademark, they continue milking whatever character from his universe that they can, no matter how irrelevant or nonsensical they may be. In the now established “Don’t Say Spider-Man” Spider-Man Movieverse, S.J. Clarkson directs what is essentially “Donnie Darko” but with a heavy theme about Spiders. The writers do everything they can to allude to Spider-Man and Peter Parker but, I’m assuming because of contractual stipulations, not once do we ever get to see Peter Parker or Spider-man, nor do we ever hear his name uttered. Uncle Ben does play a big role, though, because he is not canon in the MCU.

It’s all so tricky.

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Lisa Frankenstein (2024)

Director Zelda Williams and Diablo Cody’s “Lisa Frankenstein” doesn’t just wear its influences on its sleeves, it bedazzles those influences and flashes its sleeves around proudly. “Lisa Frankenstein” watches as if Diablo Cody pitched: “Remember “Edward Scissorhands”? What if “Edward Scissorhands” but in the 80’s?” All the cards are set up from minute one, from the Gothic animated opening sequence, and the pastel photography, while Kathryn Newton and Cole Sprouse do their very best Winona Ryder and Johnny Depp impersonations.

Mix in “Heathers,” “My Boyfriend’s Back,” and “Warm Bodies” and we’re given what is essentially a ton of talent with no place to go.

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Available on Blu-ray from Radiance Films 

A couple going through the possible end of their marriage goes back and forth arguing, crying, and treating each other less than ideally in 1950s Japan. Tradition dictates some of what they must do while jealousy, treason, and other issues mix into things, pushing them to isolation and emotional blackmail. 

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