Tag Archives: 1960s

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The Bootleg Files: The World of Kurt Weill

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BOOTLEG FILES 901: “The World of Kurt Weill” (1967 television special starring Lotte Lenya).

LAST SEEN: On YouTube.

AMERICAN HOME VIDEO: None.

REASON FOR BOOTLEG STATUS: Most likely, there is a music rights clearance issue.

CHANCES OF SEEING A COMMERCIAL DVD RELEASE: Not likely.

From the mid-1960s to the early 1970s, one of the most intriguing series on American television was “NET Playhouse.” NET stood for National Educational Television and it served as the forerunner of the Public Broadcasting Service.

“NET Playhouse” primarily focused on adaptations of classic plays and stories that featured both established stars and up-and-coming actors – then-unknowns Dustin Hoffman, Martin Sheen and Jon Voight turned up in the series’ 1966 premiere season. The series rarely offered musical presentations, and one of those tuneful diversions included the 1967 hour-long production “The World of Kurt Weill” that celebrated the career of the German-born composer.
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Help! (1965)

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In retrospect, it’s a shame that “Help!” wasn’t presented as a one-hour TV special rather than as a 92-minute feature film. In trying to one-up the lightning-in-a-bottle success of “A Hard Day’s Night,” director Richard Lester and his mop-topped stars reaffirmed the axiom that bigger is not always better by creating a large-scale romp that only occasionally percolates with hilarity but eventually wears out its welcome long before the closing credits.
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The Bootleg Files: Let the Good Times Roll

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BOOTLEG FILES 883: “Let the Good Times Roll” (1973 concert film featuring Chuck Berry, Little Richard and Bo Diddley).

LAST SEEN: On YouTube.

AMERICAN HOME VIDEO: None.

REASON FOR BOOTLEG STATUS: Music rights clearance issues are a big obstacle.

CHANCES OF SEEING A COMMERCIAL DVD RELEASE: Not likely.

During the early 1970s, there was a wave of nostalgia for the music and pop culture of the late 1950s and early 1960s. The Broadway musical “Grease,” the movie “American Graffiti” and the sitcom “Happy Days” were the most prominent examples of this retro celebration of the era, while Sha Na Na kept the old tunes alive with their kinetic stage and television appearances, but a series of concerts dubbed “The Rock and Roll Revival” brought a number of the prominent music stars from that period to perform their old hits for admiring audiences.
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What’s New, Pussycat? (1965)

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During the 1960s, there was a flurry of all-star comedy films that tried too hard to be zany. “What’s New, Pussycat?” stands out in this genre for its freewheeling approach to sex – and while it often fails to maintain its frenetic pace, it has more than a few redeeming features to keep the viewer entertained.
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The Bootleg Files: Luno

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BOOTLEG FILES 859: “Luno” (1963-1965 series of theatrical and television animated shorts).

LAST SEEN: Some of the shorts are on YouTube.

AMERICAN HOME VIDEO: A few shorts turned up on VHS video.

REASON FOR BOOTLEG STATUS: It fell through the cracks.

CHANCES OF SEEING A COMMERCIAL DVD RELEASE: Not likely.

You never know what you’ll find on Facebook. The other day, while scrolling through the site I came across a couple of a screenshots from an old cartoon that I didn’t immediately recognize. After reading the captions for the screenshot, I vaguely recalled the production being featured. I looked up the titles and found them on YouTube – and then, I remembered viewing these works during my childhood in the early 1970s.

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The Bootleg Files: The Strollin’ ’20s

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BOOTLEG FILES 856: “The Strollin’ 20s” (1966 all-star television special).

LAST SEEN: On YouTube.

AMERICAN HOME VIDEO: None.

REASON FOR BOOTLEG STATUS: There is most likely a rights clearance issue.

CHANCES OF SEEING A COMMERCIAL DVD RELEASE: Not likely.

Black entertainers have been part of the American television experience since the medium’s beginning, with no less a figure than the legendary Ethel Waters starring in an eponymous special in 1939 when television was still mostly experimental and extremely limited in its reach. Once television became more prominent in American living rooms, Hazel Scott and Billy Daniels briefly had their own programs, while in the mid-1950s NBC’s decision to have Nat King Cole host his own variety show created unexpected controversy when no national sponsor was willing to back the program. Harry Belafonte headlined a 1959 special that was sponsored by Revlon, but he rejected further productions backed by the company when he was ordered not to integrate his song and dance ensemble.
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