You could probably make a great argument that the only reason why I love “Freddy’s Dead” is because of the memories attached to it. Back in 1991, Freddy Krueger was still a household name, and him dying on film was a big deal. My dad took my brother and I to see “Freddy’s Dead” when it premiered and it was the first (probably only) 3D movie going experience I’d ever had. We had a great time, and then afterward we went to have pizza and we were allowed to blow quarters on a Simpson arcade in the pizzeria. We then went home to watch “Eerie, Indiana.”
Many of the most significant changes in film technology and presentation did not occur in a commercial theater, but in the specialized venues of World’s Fair exhibitions. On this episode, historian Charles Pappas, author of the new book “Flying Cars, Zombie Dogs, and Robot Overlords: How World’s Fairs and Trade Expos Changed the World,” discusses how World’s Fair audiences came to experience a very different approach to film – as well as learning how live TV broadcasting got its foothold in the 1939 New York’s World’s Fair.
The episode can be heard here. Please note: There is a very brief technical glitch in the beginning of the episode. We apologize for that audio oops.
“The Online Movie Show” is produced at the Platinum Wolfe Studios.
Sara Paxton, Sara Paxton, and Sara Paxton. Now that you know why I saw “Shark Night” in the first place, let’s skip the excuses. And it’s only apt, since “Shark Night” should really be called “All the Boys Love Sara Paxton.” It feels like the studio only had sharks in a lake as a concept for a film and basic outline. They then discovered they were casting Sara Paxton, and they basically built the film around her. What starts as a goofy yarn about sharks in a lake, transforms in to Sara Paxton vs. Sharks in a Lake. The film is a love letter to Paxton and her absolutely unique sex appeal. She’s a country born small town ideal college girl who everyone wants. Guys flirt with her, girls hang around her, and even her own dog refuses to leave her side. She engages in a high speed chase with the local sheriff who happens to be her friend and he laughs off her fleeing, flirts with her, and has a beer! Even after she and her friends are hunted by sharks while their friend bleeds to death from a bitten off arm, the men still try to get Paxton’s character in to the sack.
“That’s the story of Jackass there! Pissing in the wind!”
Sure, “Jack Ass” May have stumbled with the first film which was just so many layers of pure awful.
But with the sequel, Johnny Knoxville and the guys sort of learned their lesson in spite of its success and turned their antics in to performance art of a sorts. They’ve taken the art of acting like morons and turned it in to a form or pre-orchestrated and carefully planned nihilism that is both very funny and always has something of a point to make.
Take for example the sheer ludicrousness of Knoxville dressed as an old man making out with his under aged (an obviously aged actress pretending to be a teen) grand daughter and no one at all reacting to the display of the two kissing and nearly dropping down to the floor humping. It’s insane how by now Knoxville has figured out that he’s never going to be anything but the man behind “Jackass” so he’s taken that and made it in to a form of art where it’s often a new kind of silent film.
In spite of the best efforts from the writers to give their most passionate story, one thing they do achieve is making the character of Moose something of a more dignified and empathic underdog hero. In a film series filled with pretty people, it’s refreshing to see the screenwriters working toward making Adam G Sevani something of an entertaining and complex individual. Here instead of making us laugh, he’s given much more dramatic material however cliche it may be. Continue reading
I know that Brendan Fraser hasn’t had a great go of it this year thanks to the Tomb of the Dragon Emperor, but for my money “Journey to the Center of the Earth” was a fun little adventure film in 2D and most especially in 3D. Finally being able to see what director Eric Brevig has in store with his 3D aspect, “Journey” is a fun event film that takes the 3D device and manages it in to a storytelling aspect that keeps the movie consistently fun. And if you think the movie is based only around 3D—well–you’re partly right, but “Journey 3D” is also a fun movie with some great sights and sounds to be had.
If you’ve never read Jules Vernes’ original novel before, if you’ve never had the pleasure of seeing any of the film adaptations, then there’s a good chance you may enjoy “Journey to the Center of the Earth,” a family adventure film that’s just been released for the sake of cashing in on the 3D gimmick and dumbing down the entire story to where it’s really nothing but a ride. Just like a Universal studios attraction Eric Brevig’s film comes with an interactive device that allows you to sit through an experience that presents the a basic broad premise and wastes no time in plunging you in to a variety of awe inspiring sights and sounds that will make you “ooh” and “aah” and then do nothing more afterward.