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The Bootleg Files: John Denver and the Ladies

BOOTLEG FILES 842: “John Denver and the Ladies” (1979 television special featuring Tina Turner, Valerie Harper, Cheryl Ladd, Erma Bombeck and Cheryl Tiegs).

LAST SEEN: On YouTube.

AMERICAN HOME VIDEO:
None.

REASON FOR BOOTLEG STATUS: No perceived reissue value.

CHANCES OF SEEING A COMMERCIAL DVD RELEASE:
Not likely.

During the 1970s, John Denver was a ubiquitous presence on television, both as a guest on variety programs, awards productions and talk shows, and as the star of an occasional TV special. By the end of the decade, Denver tried to push himself away from his folk-country-pop persona into different areas. He scored a box office hit in his first movie, working with George Burns in the 1977 “Oh, God!”, but he opted not to vigorously pursue acting and would not appear in another film for nine years. He became an increasingly vocal activist focused on conservation and humanitarian issues. And while he didn’t lose his core audience, his new music in the late 1970s (which was more complex and mature than his earlier sing-along hits) did not generate the sales as his output from the earlier part of his decade.
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The Bootleg Files: The Laverne & Shirley Reunion

BOOTLEG FILES 841: “The Laverne & Shirley Reunion” (1995 television special celebrating the popular sitcom).

LAST SEEN: On YouTube.

AMERICAN HOME VIDEO: None.

REASON FOR BOOTLEG STATUS: No perceived reissue value.

CHANCES OF SEEING A COMMERCIAL DVD RELEASE:
It should have been included in DVD releases of the series.

In 1995, ABC decided to offer a 20th anniversary tribute to “Laverne & Shirley,” one of the network’s most popular programs in the late 1970s. While audiences enjoyed the show (at least for its first four seasons before the ratings crashed), there were reports during its production about the two stars, Penny Marshall and Cindy Williams, not having the most harmonious working relationship. This partnership ended badly with Williams leaving the show at the start of the eighth season amid litigation – the actress was pregnant, but the network insisted she continue performing her character’s knockabout comedy despite her condition.
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The Bootleg Files: Turn-On

BOOTLEG FILES 840: “Turn-On” (1969 television series that was cancelled after one episode).

LAST SEEN: On YouTube.

AMERICAN HOME VIDEO: None.

REASON FOR BOOTLEG STATUS: No perceived reissue value.

CHANCES OF SEEING A COMMERCIAL DVD RELEASE: It would be a great subject for a straight-to-DVD documentary, but a standalone release is unlikely.

Referring to any creative output as “the worst” is the ultimate exercise in futility. For starters, it is impossible for anyone to declare a single endeavor as “the worst” unless you have experienced every work within that school of creativity. Seriously, how can anyone say “Plan 9 from Outer Space” is the worst film of all time – have you seen every film and concluded that the Ed Wood anti-classic is truly to bottom of the barrel?
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The Bootleg Files: The Dumb Waiter

BOOTLEG FILES 826: “The Dumb Waiter” (1987 film directed by Robert Altman and starring John Travolta and Tom Conti).

LAST SEEN: On YouTube.

AMERICAN HOME VIDEO: On VHS home video.

REASON FOR BOOTLEG STATUS: There seems to be a rights issue that has yet to be cleared.

CHANCES OF SEEING A COMMERCIAL DVD RELEASE:
Not likely at the moment.

By the mid-1980s, filmmaker Robert Altman’s career was going through a rough patch. During the 1970s, he was praised by critics as being one of the era’s most original and provocative creative artists, but that adulation did not win him favor with studio executives with whom he had difficult relationships. After a series of box office flops and the indignity of having one film – the 1979 all-star “HealtH” – shelved by 20th Century Fox, Altman found himself focusing on small, lower budget works that were released by smaller art house distributors. He also pursued projects for television, which was highly unusual for a director of Altman’s prestige.
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The Bootleg Files: Olivia Newton-John – Hollywood Nights

BOOTLEG FILES 811: “Olivia Newton-John – Hollywood Nights” (1980 TV special).

LAST SEEN: On YouTube.

AMERICAN HOME VIDEO: None.

REASON FOR BOOTLEG STATUS: The expense in clearing the music and performance rights.

CHANCES OF SEEING A COMMERCIAL DVD RELEASE: There is no great call for this one.

In April 1980, Olivia Newton-John was at a career peak – she ended the 1970s as one of the decade’s most popular recording stars and her first Hollywood movie, the 1978 production of “Grease,” immediately established her as a box office presence. Her star power was so strong that ABC recruited her for a one-hour variety special that would air ahead of its telecast of the Academy Awards ceremony.
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The Bootleg Files: The Baboons of Gombe

BOOTLEG FILES 756: “The Baboons of Gombe” (1974 documentary by Jane Goodall).

LAST SEEN: On YouTube.

AMERICAN HOME VIDEO: On a 1978 laserdisc release.

REASON FOR BOOTLEG STATUS: Unavailable for many years.

CHANCES OF SEEING A COMMERCIAL DVD RELEASE: It is not likely.

I have a Facebook friend named John Rosa who posts New York-area TV Guide listings from the 1960s and 1970s, and today he shared the selection of programming that was available on February 1, 1974. Over on ABC at 8:00 p.m. was a one-shot special called “The Baboons of Gombe” that featured animal behaviorist Jane Goodall studying a troop of 40 baboons that lived along the shore of Lake Tanganyika.
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The Bootleg Files: Harry & Lena

BOOTLEG FILES 741: “Harry & Lena” (1970 television special starring Harry Belafonte and Lena Horne).

LAST SEEN: On YouTube.

AMERICAN HOME VIDEO: None.

REASON FOR BOOTLEG STATUS:
Problems in clearing music rights.

CHANCES OF SEEING A COMMERCIAL DVD RELEASE: Unlikely at this time.

If you were watching television variety shows and specials from the 1950s through the 1970s, it was nearly impossible not to see either Harry Belafonte or Lena Horne turn up in a guest starring role. The charismatic and versatile Belafonte would offer anything from calypso music to folk tunes to protest songs reflecting the ongoing turmoil of the times, while the regal Horne provided incomparable beauty and a distinctive styling of the Great American Songbook.
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