It’s hard to imagine but Hollywood just never seems to be short of attempts to re-think and re-imagine “Red Riding Hood. And surely enough they never seem to think of an interesting enough idea for a franchise of any kind. I wish they’d stop by now. “Red Riding Hood” is Catherine Hardwicke’s efforts to transform “Red Riding Hood” in to this Puritanical, Stephanie Meyer tinted romance horror film that never works as well as it wants to.
Tag Archives: Adaptation
The Hobbit (1977)
Although not as good or edgy as Ralph Bakshi’s more adult interpretations of the “Lord of the Rings” novels, Rankin Bass’s “The Hobbit” is a very good animated movie that gets about as dark and edgy as possible. The movie is a nice and swiftly paced seventy seven minutes, allowing for this single adventure to go from point A to point B without ever missing a step. Unlike the bloated trilogy we saw from Peter Jackson, “The Hobbit” gets the job done significantly better, even if the pacing is particularly rushed.
Little Vampire (Petit Vampire) (2020)
Based on the Children’s book series The Little Vampire, from German writer Angela Sommer-Bodenburg, the story from the author has been adapted before, most notably in the 2000 live action kid’s film. This version is directed by Joann Sfar with about as much competence as is humanly possible, and it’s sadly hindered by the poor American dub that sadly almost seems exclusively available. I wonder if there is a version with the original voice track, but sadly the movie isn’t so good that I will necessarily go and seek it out.
Monster Family (2017)
You could be forgiven for mistaking “Monster Family” as a part of the “Hotel Transylvania” movie universe, but I don’t think that’s unintentional. “Monster Family” bases itself on a lot of other better films for what amounts to such a flat affair. Despite its lively animation, everything about “Monster Family” is a messy, convoluted, and bizarre affair that never makes much sense, despite its attempts to bring itself down to Earth as a tale about family unity. Holger Tappe delivers what is just a sloppy, derivative mash-up of “Hotel Transylvania,” “The Incredibles” and “The Munsters.” And it’s never as fun as either of the aforementioned, even at its best.
The Dark Tower (2017)
“The Dark Tower” spends ninety minutes telling a story while doing almost nothing but dumping exposition on the audience. And yet, when the movie was over I knew as little about this world coming out than I did going in to it. With films like “Lord of the Rings,” and “Star Wars,” the creators manage to disseminate information and world build while also giving audiences an experience. “The Dark Tower” feels so under-developed and poorly developed, almost feeling like a truncated idea of what kind of movie series “The Dark Tower” was intended to be. I still don’t know what the Dark Tower is. I still don’t know who Roland Deschain is.
The Crow (2024)
I’ve heard of this certain technique Hollywood usually uses as a means of pulling a fast sequel; it’s by taking a script with a similar concept to an already established IP and turning it in to a sequel. “The Crow” feels a lot like that. It feels like a simultaneous cash grab, exploitation of the art of James O’Barr, and downright lazy attempt to maintain the license for “The Crow.” At thirty minutes in, I wondered if at any point anyone on this movie were even trying. At all. This is a non-move. It’s a movie without a presence, or any kind of a soul, or any kind of self awareness. “The Crow’s” only purpose is to gentrify what should have and could have been a touching, eerie, and heartbreaking movie.
The Five Best Films I Saw in 1999
1999 was such a formative year for many. I was sixteen and experiencing new hobbies, and learning to love movies. And the internet was still in its infancy, transforming in to a fascinating but still mysterious technology. 1999 had much to offer in the way of the film world with studios releasing so many interesting and great films. With the 25 year marked in 2024, I spotlighted five of the best films I saw in 1999.