The Guyver (1991): Limited Collector’s Edition [4K UHD/Blu-ray/CD Soundtrack]

Coming Soon from Unearthed Films.

Toshiki Takaya’s anime and manga are science fiction body horror martial arts chaos mixed in with a ton of concepts involving corporations, mutant aliens, and genetics. America saw “mutants” and ran with it in an effort to kind of build upon the winning formula of “Teenage Mutant Ninja Turtles.” In effect, 1991’s American adaptation of “The Guyver” takes the very gory original material and transforms it in to a silly, but absolutely fun love letter to Japanese culture and just horror in general. With the help of Screaming Mad George’s amazing special effects, director Steve Wang realizes a lot of concepts from the original source material that would have otherwise been utterly impossible in 1991.

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BAD MOVIE MONDAY: SHOCKING DARK (1989)

With the whole world of art on the very brink of an Armageddon caused by the glorified plagiarism software that is A.I. I thought I’d lighten the mood a bit and write a review of a thirty-five year old Italian exploitation movie that didn’t need a complicated algorithm to plagiarize a James Cameron movie. It did it manually. Tubi calls it Shocking Dark, which is also the name of the film’s 2018 North American Blu-ray release, but its official and original title in Italy was Terminator II. It was called that because, in typical confusing Italian movie fashion, it was ripping off Aliens. I guess the producers were trying to pull the old switcheroo on us by pretending to have made a crappy pseudo-sequel to one James Cameron film so we wouldn’t notice that they were actually stealing from a completely different James Cameron film. Didn’t work. Anyway, let’s review this particularly nutty turd directed by the legendary Bruno Mattei.

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Killer Klowns from Outer Space (1988): Limited Steelbook Edition [4K/Blu-Ray]

Now Available from Scream! Factory

Another sign that horror is always ahead of its time, the mainstream has finally caught up with the horror community and realize what a loyal but small fan base has known for a very long time. That “Killer Klowns from Outer Space” is a demented horror masterpiece, and there’s never really been anything like it since. You can kind of, maybe consider “Mars Attacks!” its successor, but “Killer Klowns” is so much more concerned with turning its villains in to genuine horror foes, rather than trotting out all sorts of guest stars and fancy special effects. Even today, “Killer Klowns from Out Space” is a bag of mixed treats filled with gore, grue, silliness, and a fun group of fearsome alien klowns that seem almost unstoppable in their rampage.

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Bad Movie Monday: THE MCPHERSON TAPE (1989)

Most found footage films are pretty review-proof. Seriously, how could anyone dare criticize a movie like The McPherson Tape? It is the perfect example of a no-budget film made by people working with what they had and trying to make something interesting. Criticism in cases like this feels like a venial sin, worthy of the pillory. So obviously I am totally going to review it, but by now I like to consider myself an expert at this sort of thing. Don’t try this at home kids.
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The Marvels (2023)

What hinders Nia DaCosta’s “The Marvels” is that it literally is all over the place. This feels like Marvel is trying to squeeze in so much in ninety minutes, and while often it succeeds in getting the idea across, it can also stumble here and there. Nonetheless, “The Marvels” still winds up being a bang up Marvel entry, one that’s packed with some excellent fight sequences, wonderful conflict, and a great trio of characters, all of whom present a common goal in spite of how they operate as superheroes. Carol Danvers, Monica Rambeua and Kamala Khan are all heroes in their own right approaching the ideas of the superhero in their own mind set.

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Z-O-M-B-I-E-S 3 (2022)

In 2020’s “Z-O-M-B-I-E-S 2,” heroine Addison spent a lot of her arc trying to figure out if she was perhaps the “Great Alpha” werewolf. When that was a bust, we were left on a cliffhanger as Addison was left pondering on her origins. And we were given a clue—from outer space. The idea of Addison perhaps being an alien makes a ton of sense considering the character guidelines the movies follow, and with the final movie in Disney’s “Z-O-M-B-I-E-S,” Disney works fast to seal up any and all lingering questions about Addison and Zed.

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Lily C.A.T. (1987)

It’s pretty astonishing how “Lily C.A.T.” manages to be such a blatant copy of some classic eighties films, and yet still comes out looking pretty shiny when all is said and done. The 1987 science fiction deep space horror film heavily borrows (or rips off, depending on how kind you are) material from the likes of Ridley Scott’s 1979 horror film “Alien,” as well as John Carpenter’s 1981 masterpiece “The Thing” with even the crew brandishing flame throwers to ward off the monster. It’s a prerequisite for a movie that pretty much has fun with its premise, delivering so much in such a short time.

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