As aliens enter the Goryeo Dynasty in pursuit of one of their prisoners, a mysterious blade may hold the solution to everything. Or be the worst thing that’s ever happened to humankind.
Watching the sequel to the shockingly successful “Venom” is like watching a screensaver. Sure, there’s a lot of activity and colors, but at the end of it, nothing has actually happened; and then you move on to the next thing. This schlocky follow up to the goofy “Venom” leans more heavily in to the mid-nineties silliness mixing a buddy action comedy with a body horror film. Normally that could be a formula for success, but—again: screensaver.
After the wet fart that was David Ayer’s “Suicide Squad” there was a lot riding on James Gunn’s soft reboot titled “The Suicide Squad.” While there was a lot of pressure on Gunn to deliver, it was no surprise that he did, two fold. This is a man who managed to take a fourth tier superhero team from Marvel Comics and turn them in to beloved superheroes everyone recognizes. With “The Suicide Squad” Gunn gets the ball rolling successfully with a wonderful soft reboot. Now it’s up to DC and Warner to keep the momentum.
Director David Ayer’s take on DC Comics’ “Suicide Squad” is one of the classic examples of studio interference, and how it can destroy a potentially great project. Director/Writer James Gunn has a talent for highlighting the more appealing and exciting elements of more underdog comic book characters, and with “The Suicide Squad” he shows us how a lot of the time allowing a director to just create and show audiences their vision can be beneficial for everyone.
Well, say what you want about “Flight to Mars” (reaching its 70th anniversary this year) but damn it, they make good on their promise in the title. There is definitely a flight to mars. It’s just a long, drawn out, monotonous, tedious flight to mars involving four boring male characters and one woman whose duties involve getting aggressively hit on by the spaceship’s captain, taking notes, and making the men coffee.
Richard Elfman’s “Aliens Clowns & Geeks” is the type of indie zaniness you’ll only find in back room of modern cinema. It’s a fearless, and bizarre mish mash of comedy, satire, science fiction, music, and just about everything else you can find. There are transgender individuals, and evil clowns, and a hero who can fire lasers out of his anus. And that’s really the tip of the iceberg when you manage to soak it all in. And you’ll need a hell of a lot of booze and weed to soak it all in.
I missed the boat when Invincible had its run in Image Comics, and I regret it, especially as a fan of “The Walking Dead.” Robert Kirkman is one of the group of Image comics heavyweights who manages to offer up his own superhero tale, but it’s given a massive twist that’s both bold and insanely violent. Taking the animated route this time out, producers Seth Rogen and Evan Goldberg help realize Kirkman’s epic “Invincible” for the small screen, sticking true to many of the comics original storylines, and unfolding what is a unique, exciting, albeit imperfect at times, saga.
A girl and her brother find a gem while digging in the yard, she claims “finder’s keeper’s” and ends up in charge of a being with incredible power who may just be there to start the beginning of the end for humans.