What hinders Nia DaCosta’s “The Marvels” is that it literally is all over the place. This feels like Marvel is trying to squeeze in so much in ninety minutes, and while often it succeeds in getting the idea across, it can also stumble here and there. Nonetheless, “The Marvels” still winds up being a bang up Marvel entry, one that’s packed with some excellent fight sequences, wonderful conflict, and a great trio of characters, all of whom present a common goal in spite of how they operate as superheroes. Carol Danvers, Monica Rambeua and Kamala Khan are all heroes in their own right approaching the ideas of the superhero in their own mind set.
In 2020’s “Z-O-M-B-I-E-S 2,” heroine Addison spent a lot of her arc trying to figure out if she was perhaps the “Great Alpha” werewolf. When that was a bust, we were left on a cliffhanger as Addison was left pondering on her origins. And we were given a clue—from outer space. The idea of Addison perhaps being an alien makes a ton of sense considering the character guidelines the movies follow, and with the final movie in Disney’s “Z-O-M-B-I-E-S,” Disney works fast to seal up any and all lingering questions about Addison and Zed.
It’s pretty astonishing how “Lily C.A.T.” manages to be such a blatant copy of some classic eighties films, and yet still comes out looking pretty shiny when all is said and done. The 1987 science fiction deep space horror film heavily borrows (or rips off, depending on how kind you are) material from the likes of Ridley Scott’s 1979 horror film “Alien,” as well as John Carpenter’s 1981 masterpiece “The Thing” with even the crew brandishing flame throwers to ward off the monster. It’s a prerequisite for a movie that pretty much has fun with its premise, delivering so much in such a short time.
Director Brian Duffield’s science fiction home invasion film is a deceptively massive film. It’s simplistic in that it’s limited to a cast of mainly one person, and places the enormous crux of the dramatic weight on the shoulders of star Kaitlyn Dever. Thankfully Dever is more than up to the task, offering what is easily one of her best performances to date. Director Duffield mixes so many genres and sub-genres from home invasion, survival thriller, character-based drama, themes about grief and guilt, and extra terrestrials all colliding in an absolutely outstanding cinematic experience.
UFO’s and aliens are the hot topic once again in the media and the resurgence of talks about aliens, as well as the upcoming feature “No One Will Save You” coming to Hulu on Friday, I listed five great movies based around UFO’s and Aliens. These five films are truly good movies centered on the topic of aliens and UFO’s, and they’re the perfect appetizer to ring in the arrival of what I hope will be another in a long line of great alien based horror movies.
Let me know in the comments what some of your favorite UFO movies are.
I’ve never liked reviewing a film right when it comes out. You get caught up in the hype whether you like it or not, swallowed into the propellers of either the always positive marketing machine or the always negative social media rage engine, both of which are revving at full speed. So your review suffers because you can’t stay impartial in that sort of environment. It’s like trying to judge the power of a hurricane while standing in the eye of the storm. I saw this movie a few years ago. I won’t say that I “watched” it because that wouldn’t be accurate.
I played it on a streaming service and then sort of half glanced at the screen. Now, in the interest of science, I’m going to watch it again because I feel it’s a good example of what I like to call “advertiser friendly corporate content.” This is the sort of movie that has an insultingly low opinion of its audience. It’s cynical, insincere, soulless, lazy, and ultimately empty. It’s to cinema what school cafeteria food is to cuisine.
Like it or lump it, after delays, and delays, and restarts, and bad press, and alterations, and production problems “The Flash” is finally here. And–I lumped it. It’s not to say that “The Flash” is the worst movie from the DCEU yet, but it’s definitely not one of the best. It’s a shame as the trailers inspired so much optimism and enthusiasm, but at the end of the day, it’s a terribly mixed bag with occasional redeeming qualities. Beyond the fan service, and Easter eggs scattered throughout, “The Flash” is right at the level of “Shazam: Fury of the Gods”; whether or not that’s a positive perspective is up to you.