Director Pierre Földes is not an artist prone to just giving us something that’s easily digestible and worthy of leaving us dangling. “Blind Willow, Sleeping Woman” is probably one of the most uncommercial movies of the year, and the fact that it’s fully animated also works in its favor. The animation style that is used along with the often intentional drabness of it all allows for an almost ethereal aesthetic; it’s one that feels so dream like. It’s almost like someone just ripped random imagery from someone’s subconscious and manifested it through some pretty good rotoscoping and 3D animation.
Tag Archives: anthology
Nightmare on 34th Street (2023)
Like clockwork every year a studio releases a Christmas themed anthology for the masses, and almost always it’s a big letdown. It’s not really enough to inject the whole Christmas aesthetic. A genuinely scary story helps, too. “Nightmare on 34th Street” is a rambling, often nonsensical, unscary Christmas anthology movie that is literally all over the place. It re-uses actors, garners a whole cast that spend their time obviously reading from cue cards off screen, and director Crow doubles down a shoddy editing job that makes his film more confusing and jarring than scary.
10/31: Part III (2022)
Director and writer Michael Ballif’s anthology series “10/31” has been a mixed bag of mostly treats that’s done well in celebrating the Halloween season. It’s been way too overlooked in a barrage of indie horror films out on the market, and that’s a shame. “10/31” as a whole is a movie series that deserves a bigger audience, in spite of “Part III” never quite sticking the landing. I’d say it has a lot of good ideas, but never manages to be as good as the first two films, when all is said and done.
The Paloni Show! Halloween Special! (2022)
It’s too bad that we may never get a “The Paloni Show!” series off the ground as it seems to currently be one of the many interesting pilots that never quite took off. Justin Roiland, Zach Hadel, creators of “Rick and Morty” really opt for something completely bizarre and insane here, which is always a great thing. “The Paloni Show! Halloween Special” not only introduces us to foul mouth kids Leroy, Reggie, and their sister Cheruce, but they set the stage for a Halloween anthology that’s a lot of fun, even if it’s ultimately a mixed bag of treats. Siblings Leroy, Reggie, and Cheruce Paloni are hosting a Halloween Special featuring various shorts. They are shooting for their own Hulu show after hosting this variety show from their suburban home.
Every Bugs Bunny Ever: Bugs Bunny’s Howl-oween Special (1977)
“Bugs Bunny’s Howl-Oween Special” is that kind of TV movie you watch when there’s really no other access to the Looney Tunes shorts that are presented here. That’s not to say “Bugs Bunny’s Howl-oween Special” is terrible, it’s just in line with a ton of the other Bugs Bunny holiday shorts. It’s about two minutes of original story with the nine shorts all cut, spliced, and redubbed to give what is an illusion of a story. One of the most jarring aspects of these specials is that it’s easy to discern what is the contemporary animated segments’ and what are the classic animated segments. This is made very easy in “Bugs Bunny’s Howl-Oween Special” as a majority of the animation is pretty terrible.
Scare Package II: Rad Chad’s Revenge (2022)
It’s not exactly a secret that I just didn’t think much of Aaron Koontz’s 2019 horror comedy anthology “Scare Package.” Despite its best intentions and love for the genre, as a horror anthology I just wanted something new and just more. The horror anthology is a difficult platform for a lot of filmmakers, and “Scare Package II” doesn’t re-invent the wheel at any turn. As a horror comedy that spoofs “Saw” (and a slew of other horror movies) wholesale, it’s a solid film. As an anthology, the wrap around narrative does little to compliment the four mixed bag horror segments.
Bugs Bunny’s Howl-O-Skreem Spooktacula (2022)
I usually have a lot of awful to say about modern Looney Tunes, but “Looney Tunes Cartoons” has at least tried to honor the legacy of the Looney Tunes. Say what you want about Warner’s handling of the Looney Tunes library but “Bugs Bunny’s Howl-O-Skreem Spooktacula” really isn’t half bad. It’s actually a pretty decent attempt to conjure up the spirit of the classic Looney Tunes as we remember. It has its finger on the pulse of the comic timing and classic raunch we know and love about the old shorts. It’s funny that Bugs Bunny gets the title of the program since he only has one short in the end of the program, meanwhile Porky has two that he shares with his usual foils.