Where is the American dream bred? In the heart or in the head? Director-Writer Ziyu Luo’s “American Daydream” is a classic ode to the idea of the American dream and our pursuit of it. Is the “American Dream” an unreachable goal, or something that we each have within us, personally? Recently having its world premiere at the HollyShorts Film Festival, “American Daydream” is a brilliant beautiful short drama comedy that explores ideas about immigration, assimilation and Americanization.
Tag Archives: Asian
Brave Citizen (2024) [Fantasia Film Festival 2024]
Deep down there’s a great movie within “Brave Citizen.” The South Korean film by Park jin-pyo has a great premise, and a great cause to fight for that could serve as a catalyst for an interesting superhero tale. Instead “Brave Citizen” is bogged down in so much exposition and sub-plots and commentary that is loses sight of its original intent. There’s no reason a movie like “Brave Citizen” should be so long, and I say that as someone that almost never cares about run time.
But Park jin-pyo and the writers take so long to get to the actual point that by the time we do get an idea what they’re aiming in the realm of superheroes meets bringing down the affluent, the movie has already worn out its welcome.
Satu – The Year of the Rabbit (2024)
So much credit goes to Joshua Trigg, an ace filmmaker who has delivered one of the most affecting and engaging dramas of the year. “Satu – Year of the Rabbit” is a powerhouse drama packed to the brim with beauty, sadness, and grief, and pairs two people together, both of whom are in search of something. In the tradition of films like “Harry and Tonto,” Joshua Trigg’s film is about two wandering spirits that find a purpose in the middle of the amazing countryside of Laos. This is where “Satu” also acts as something of a travelogue akin to 1991’s “The Inland Sea,” acting as a means of conveying the richness, and vast scope of their home.
Five Fantasia Festival 2024 Premieres We’re Excited For [Fantasia Film Fest 2024]
For another year, Cinema Crazed will be covering the Fantasia Film Festival remotely. We’ll be bringing you reviews and articles of their newest films as well as their always stellar short film line ups. As is the case every year, these are five Features premiering this year that we’re Excited to Watch.
The Fantasia International Film Festival returns with its 28th edition from July 18 through August 4, 2024, returning to the Concordia Hall and J.A. de Sève cinemas, with additional screens and events at Montreal’s Cinémathèque québécoise and Cinéma du Musée.
In the Realm of the Senses (Ai no korîda) (1976) [LA&M Film Fetish Forum]
Banned in many countries thanks to its immensely explicit depictions of sex and sexual acts, Nagisa Ōshima’s “In the Realm of the Senses” is an immense movie, and one that straddles the line between erotica and thriller. Although “In the Realm of the Senses” revels in the eroticism of sexuality and sex, it also delves deep in to the darkness of sexual obsession, control, and the appetite for sex (all of the sex scenes are un-simulated) that can consume our lives. I’ve never actually seen director and writer Nagisa Ōshima’s film before, so viewing it now was quite the surprise. The director fancies themselves in exploring the acts of sex along with the behavior between its core characters that result in lust that inevitably becomes deadly.
The Abandoned (Cha wu ci xin) (2022) [Fantasia Film Festival 2023]
Wu Jie is struggling with grief and life’s pressures. As she is about to end it all, a murder victim catches her attention, and the investigation brings her back into focus as more bodies are found and the investigation gets more complicated.
Tokyo Pop (1988)
Opens with a New 35th Anniversary 4K Restoration by Indie Collect in New York at BAM Rose Cinemas on August 4th and in Los Angeles at the American Cinematheque on August 11th, followed by national expansion.
Watching Fran Rubel Kuzui’s gave me a mysterious sense of déjà vu as her movie “Tokyo Pop” is very much about a misplaced American experiencing culture shock and alienation in an Asian country. Then I realize that Sofia Coppola pretty much conveyed almost the exact same narrative in her acclaimed “Lost in Translation.” Fran Rubel Kuzui’s “Tokyo Pop” from 1988 was an obvious influence that apparently never really was discussed very much. So much of “Tokyo Pop” is similar in tone, aesthetic and the idea of using media as a means of helping people to connect. With “Tokyo Pop” characters Wendy and Hiro use music as a means of connecting in a world where they’re separated by language and culture.