On a holiday weekend, a man goes to spend time with his uncle. As things get tense, an earthquake traps this man under a car while unleashing something from the ground.
Two best friends about to be separated by life and dreams to follow decide to make a bit of money by mulling a drug for a woman they barely know. When things go wrong, they also get very personal and intimate in the worst way.
A trio of influencers take a trip to the desert to stay at the house of one of their father’s house to create some content, catch some rays, and spend some girl-time together. Soon, something falls from the sky and requires their attention if they want to survive.
A young woman notices a patch of dry skin that is growing, growing rapidly even. As she tries to understand what is causing this skin issue, her world starts unraveling and she goes to extremes to try and get her life, and beauty, back.
I can’t wait to see more from director Amelia Moses in the future, as she seems to be a promising horror director with a lot to say. Though “Undress Me” is a short film, it’s also a very grotesque and disgusting body horror film. “Undress Me” will inspire many audiences to interpret its message and I perceived it as an allegory for rape and the psychological fall out that comes with being raped.
You can definitely look at director Eric England’s horror drama in two plains. You can either watch it as a gory tale of a woman rotting gradually in to something beyond herself, or you can look at it as a metaphorical tale of a woman rotting in to the ugly being she’s probably always been her entire life. When you cut it down, the character Samantha is the protagonist, but never really is an empathetic individual. She’s this lecherous, vapid, and utterly narrow minded being who does nothing but ride on people’s good will and expects big returns. That’s not to say she deserves what is coming to her, but who’s to say her final transformation isn’t what she’s been her entire life?
It’s an understatement to call “The Beast Within” one of the more unusual horror anomalies of the eighties. Director Phillipe Mora’s film garners an inherent subtext, but what kind, I’m still not sure. “The Beast Within” operates on an almost fever dream kind of narrative that takes twists and turns without ever even trying to form a coherent story thread. Even once. I’m still not sure why there’s a giant anthropomorphic bug monster roaming around, but nonetheless, it’s a pivotal plot point.