“Overture, curtains, lights. This is it, the night of nights.
No more rehearsing and nursing a part – we know every part by heart!
Overture, curtains, lights. This is it, you’ll hit the heights.
And, oh, what heights we’ll hit – on with the show, this is it!”
If you recognize those lyrics, you were blessed to have a childhood that included “The Bugs Bunny Show,” either in its original version or in the various iterations that were broadcast over the decades.
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False Hare (1964)
Directed by Robert McKimson
Story by John Dunn
Animation by Warren Batchelder, George Grandpré, Ted Bonnicksen
Music by Bill Lava
B.B. Wolf and his giggly nephew conspire to trap Bugs Bunny by creating Club Del Conejo, a phony social club designed exclusively for rabbits. Bugs, of course, is wise to the antics of these lupine predators but plays along, inevitably causes B.B. to fall victims to his extravagant booby-traps.
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Rabbit’s Feat (1960)
Directed by Chuck Jones
Story by Michael Maltese (uncredited)
Animation by Ken Harris, Richard Thompson
Music by Milt Franklyn
Wile E. Coyote – the talking version with the supercilious Mid-Atlantic accent – returns to pursue “rabbitus idioticus delicious.” As with his previous attempts to secure Bugs Bunny for his meal, the self-important coyote winds up falling victim to his cockamamie schemes and traps.
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One of the most misunderstood (and, subsequently, controversial) characters in animation history is the amply proportioned Black woman who appeared in 19 of the Tom and Jerry shorts. Contemporary sources refer to as “Mammy Two Shoes,” but that name was never used on-screen or in the screenplays – that moniker was first applied incorrectly in a 1975 Film Comment article and stuck ever since. Not only did she not have a name, but viewers never saw her face (outside of a split-second gag in the 1950 “Saturday Evening Puss”) and never truly understood her relationship to the troublesome cat and mouse duo. It is widely assumed she is a maid or housekeeper because she wears an apron, but if that is the case her (presumably white) employers are never shown or even mentioned. In “Saturday Evening Puss,” she refers to the residence as “my house,” suggesting homeownership rather than domestic servitude.
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A Star is Bored (1956)
Directed by Friz Freleng
Story by Warren Foster
Animation by Art Davis, Virgil Ross, Gerry Chiniquy
Music by Milt Franklyn
Daffy Duck is the malcontented janitor at a movie studio where Bugs Bunny is the reigning screen star. Annoyed at the attention Bugs is receiving, Daffy marches into the office of the casting director to demand a crack at stardom. Daffy is cast as Bugs’ stunt double in an ongoing production and is dressed in a rabbit suit but soon discovers to his frustration he is being assigned the most dangerous stunts.
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BOOTLEG FILES 912: “Sinbad Jr. and His Magic Belt” (1965-55 syndicated animated series).
LAST SEEN: On YouTube and other online video sites.
AMERICAN HOME VIDEO: None.
REASON FOR BOOTLEG STATUS: It fell through the proverbial cracks.
CHANCES OF SEEING A COMMERCIAL DVD RELEASE: Not likely at the moment.
The other day, I was scrolling through an animation history forum on Facebook and I saw a post where someone asked a question about a series called “Sinbad Jr. and His Magic Belt.” While I would like to imagine that I have some degree of expertise regarding animated television series, I found myself stumped – this was the first time that I ever saw any mention of “Sinbad Jr. and His Magic Belt.”
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Big Top Bunny (1951)
Directed by Robert McKimson
Story by Tedd Pierce
Animation by Charles McKimson, Rod Scribner, Phil DeLara, Bob Wickersham
Music by Carl Stalling
The reigning animal star of Col. Korny’s Circus is Bruno the Slobokian Acrobatic Bear – the ursine star is a burly biped with a tan body, a chalk white face and a green and red derby, as well as a heavy accent that sounds like it comes from any country behind the Iron Curtain. Bruno’s spotlight reign is threatened when he is given a new performing partner with Bugs Bunny. Bruno is furious at this arrangement and tries to sabotage Bugs during their premiere engagement. Bugs quickly realizes Bruno’s intentions and deftly turns the tables on the arrogant acrobat, ultimately resulting in a big top ejection via a cannon.
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