I have a long history with the “Police Academy” movie series, as well as a lot of nostalgia attached to it. As a child who was attached to the television, I spent many a day watching the adventures of Mahoney and the Police Academy on WPIX Channel 11 here in New York. I often watched two to six on television and almost always had a blast with it. I was able to see “City Under Siege” in theaters, and stuck with it right through the end where it became a TV show, cartoon, comic series, and then an inevitable pop culture running joke. It’s a very of its time movie series that would be impossible to duplicate today, and that’s why I love it so much. Shout Factory releases a new edition of this series that is stuffed with bells and whistles, but leaves much to be desired.
I plan to review the full movie series in the future.
When her family’s bar is overdue on payments and at risk of being sold at auction, the owner’s daughter and bartender gets help from an unexpected person and goes to unexpected lengths to keep the bar.
A hitman who took over the family business from his father ends up taking a young woman after she’s witnessed a hit. There is something more to her that is making him care about her survival.
For a long time, “Halloween” has been a lot about the inexplicable evil that arose in Haddonfield. But what Danny McBride and director David Gordon Green attempt to do is explain that Michael Myers is only symptomatic of what resides at Haddonfield. Like everywhere in humanity, there always has to be a scapegoat for to pit hatred and fear on to something, and Michael Myers was for a long time the epicenter of it in Haddonfield. “Halloween Ends” explores more the idea of evil as an amorphous entity rather than a maniac in a mask. While Michael Myers was every bit as evil and a force of darkness as we saw in “Halloween,” the final film in the new trilogy takes a step back to look deeper in to the darkness.
Director Scott Derrickson bring to screen what is really one of the more riveting thrillers of 2022. While “The Black Phone” almost always runs the risk of getting lost in its obvious influences of Stephen King and Amblin, “The Black Phone” ends up being a truly engaging and often scary hostage thriller. This one thinks somewhat outside the box bringing us not only in to the hot seat of the character that’s been kidnapped, but it also gives us a look at the echoes that emanate with every victim that villain “The Grabber” has ever victimized and murdered.
A man who has faked being an exorcist for years, swindling people out of money while not actually doing much beyond providing a placebo for their issues finds himself faced with a real possession case and must rise to the occasion or move on from his career.