Director and Writer Tito Guillen’s short fan film for Miles Morales has a lot of feature film potential. It’s sad that it took so long for Miles Morales to garner his own animated film, but when it comes to feature films I think he could be an icon. That’s proven in “Miles Behind,” Tito Guillen’s tribute to Spider-Man that touches upon very socially relevant topics.
Writer/Director Brandon Cronenberg’s horror film promises to be one of the most polarizing, if not the most polarizing, film of the year. It’s a grotesque, beautiful, nauseating depiction of sickening hedonism and amorality in its seductive and repelling. It’s a kaleidoscopic orgy of sex and violence and pure blood thirst that, as art often does, comfort the disturbed, and disturb the comfortable. “Infinity Pool” is the very definition of body horror, a movie that both celebrates and abhors everything about the body.
I’ve been a fan of Paddy Considine’s since I saw him in his utterly frightening performance as a mentally imbalanced recluse in “A Room for Romeo Brass.” I also loved him in the schmaltzy albeit well-intentioned family drama in “In America,” and he flexes his keen ability to be both menacing and vulnerable with Shane Meadows’ “Dead Man’s Shoes”. Meadows’ revenge thriller is a very visceral revenge film that delves in the fall out from the breaking of a cardinal rule: Don’t ever fuck with a man’s family.
I’m surprised it took this long for a super pets movie to be conceived by Warner Bros. It’s always been a recurring theme in DC Comics with superheroes having their own super pets. Hell, even Superman had a Super Horse at one time or another. In either case, “League of Super-Pets” feels like a next interesting step in the DC animated universe that I hope can continue in one way or another. While the movie isn’t perfect, it sure is a fun diversion with a neat narrative.
Frank Borzage’s hybrid of genres has apparently been a film that has been neglected for a long time and not given a proper restoration. With Criterion they ensure a long lasting release of what is a pretty engaging mix of drama, comedy, romance, and yes, a disaster film. I’m not sure if I was as wild about “History is Made at Night” as most movie buffs seem to be, but Frank Borzage’s film is a success at being entertaining and engaging. Borzage is able to bounce between themes rather well, balancing out dread and whimsical romance well.
Benoit Blanc and the “Knives Out” franchise is the movie series that Gen Z and Millennials have been waiting for, for a long time. For years, there were so many great series and movies with ensemble casts concerning a murder mystery or mysterious death, and we missed out on that great sub-genre. That is until Rian Johnson offered his deliciously entertaining “Knives Out” in 2019. He follows that up with “Glass Onion,” a movie that is a continuation but is by no means a repeat of the original film. Johnson absolutely thrives on subverting expectations while delivering some great social commentary right down to the literal Glass Onion.
I would have bet anyone a thousand dollars that 1972’s SILENT NIGHT, BLOODY NIGHT directed by Theodore Gershuny had been renamed to its current title for a home video release around 1984 in order to cash in on the then new Silent Night, Deadly Night, and I would have lost that bet. “The film was given a limited release in the United States under the title Night of the Full Dark Moon through Cannon Films, beginning November 17, 1972. It was subsequently released as Silent Night, Bloody Night in the spring of 1973 and continued to screen under this title through December 1973.”
In the fictional town of Chucalissa, MS, a young woman on the run finds refuge and a new identity in an erotic dance club called The Pynk. Created by show runner Katori Hall, P-Valley is now streaming on the Starz app.