Talk to Me (2023)

Danny and Michael Philippou’s “Talk to Me” really is one of the crowning horror achievements of 2023. It’s one of those horror movies that doesn’t just scare you, but it also leaves a stain on you. That’s because while “Talk to Me” is very much a demonic possession movie, it’s deeply rooted in the concept of the urban folklore that taps in to not only our obsession with death, but our need to know if there’s anything after we’ve died. That’s essentially what fuels pretty much everyone in “Talk to Me”; the twisted porcelain hand reaching out for a grip becomes the sort of Monkey’s Paw or Ouija Board that everyone begins to center their lives on.

It grants them an amazing ability, but one that is easily misused and one that can be exploited. It’s almost a phone extension to the other side where anyone can mine souls for some sort of contact. The problem is we’re never quite sure what kind of souls they’re conjuring up. What becomes such a fascinating drive for these characters is that the use of the film’s mysterious porcelain hand is a plot device that is powerful, but also ambiguous until the very end. Whose hand is it? How old is it? Where does the power come from? Is it meant for good or pure evil? Can it filter out demons?

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Demons (1985)/Demons 2 (1986): Remastered [4K UHD Blu-ray]

Available August 13th from Synapse Films.

For folks that missed the deluxe editions of “Demons” and “Demons 2” back in 2021, Synapse Films re-releases the set but on standard Blu-Ray and 4K UHD. The pair of horror classics are back on the format and still in considerable high demand. That’s not too much of a bad thing as they play very well as party movies. The 1985 Lamberto Bava horror gem finds a group of movie goers trapped in a movie theater besieged by an endless army of demons. When they realize that the theater is literally a virtual death trap, they have to find their way out alive or risk becoming one of the hordes.

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Hide Your Crazy (2023)

Director Austin Kase’s short horror romance is a premise teeming with feature potential. I could have literally watched two hours of this back and forth between the two characters stuck in this tragic romance. “Hide Your Crazy” is a film very much in the vein of “My Demon Lover” channeling a lot of that late 1980’s camp and genre mixing amounting to some top tier entertainment all around.

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Studio 666 (2022)

I can appreciate what Dave Grohl and BJ McDonnell were going for with “Studio 666.” In spite of me being a big Foo Fighters fan, I respected what they were trying to do. “Studio 666” is a horror comedy musical with shades of “Evil Dead,” “The Exorcist,” and “We Are Still Here.” It’s also kind of a commentary on the compromises you make in order to acquire artistic success, but those more dire themes are passive at best. “Studio 666” looks like one of those movies that was more fun to make than anything else, and that’s both a caveat and advantage.

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Don’t Panic (1987)

I’d love to have been a fly on the wall where Rubèn Galindo Jr., director of “Don’t Panic,” actually watched as someone from the wardrobe department went out, bought dinosaur pajamas in a man’s size, and decided to make it the primary outfit for his film’s protagonist. Dinosaur pajamas with red and blue dinosaurs that you’d find on a seven year old unironically became the motif for the central hero of a horror movie. And that’s not all that “Don’t Panic” has in store for its audience. Rubèn Galindo Jr.’s “Don’t Panic” is a mélange of plot devices that rip wholesale from the likes of Wes Craven, and Sam Raimi.

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The Barn Part II (2022)

If Justin M. Seaman’s “The Barn” was “Ghoulies,” then “The Barn Part II” is the “Ghoulies II” of his horror movie series. His Halloween centric horror movie series has managed to deliver in surprises and good old fashioned vintage scares and I’ve enjoyed a lot of the mythos that Seaman and co. have created. “The Bart Part II” is superior to the first film in every way, as while the original is a very good small scale Halloween movie, this follow up doubles up on every aspect. There’s double the gore, double the body count, double the T&A and even larger scale monsters.

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End Of The Line (2007)

I’m frankly shocked that I’ve never seen or even heard of Maurice Devereaux’s “End of the Line” until this year. I typically have my ears perked to new horror titles, and “End of the Line” slipped right by me. I don’t know if I’d call it a masterpiece, but it sure is a damn good siege and survival horror movie in the tradition of “Assault on Precinct 13” and or “The Void.” It’s bleak, it’s dark, it’s gory and it has a climax that will likely keep the audience debating for days.

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