It’s a shame that “The Good Dinosaur” will forever be regarded as one of Pixar’s black sheep titles. Because as a whole it’s one of their most original and unique tales that channels the modern Western to invoke a tale about family, getting over one’s own shortcomings, and learning that life is often senseless and unfair. Pixar uses the aesthetic of the dinosaur to help induce the idea of nature and how the environment around us is both an element we must fear and respect in the long run. As with most Pixar films, “The Good Dinosaur” doesn’t justify the idea of death with simplicity, nor does it coddle the intended target audience. It instead takes us through a large journey and tells us that yes, life is hard, yes life is very unfair, but that doesn’t mean we have to stop living.
I really can’t imagine a film like “The Land Before Time” being released today. As a kids film it teaches about strength, courage, and the willingness to look for hope in darkness. But as a film in general, director Don Bluth offers a story drenched in sadness, terror, and an almost endless amount of sadness. “The Land Before Time,” like much of Bluth’s work, has held up monumentally well over the year with a beautiful eye for detail, painting a massive world on the threshold of evolving in to something new, while also losing much of its own species to death and turmoil.