One of the funkier aspects of the Library of Congress’ National Film Registry is the inclusion of extraordinarily obscure amateur works alongside Hollywood productions. In 2008, a home movie made in Connecticut in 1956 by Robbins Barstow called “Disneyland Dream” was added to the National Film Registry alongside such classics as “Foolish Wives,” “The Invisible Man,” “The Asphalt Jungle,” “Flower Drum Song,” “Deliverance,” and “The Terminator.”
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BOOTLEG FILES 929: “Swabbies” (canceled Disney animated short that survives as an animatic video).
LAST SEEN: On YouTube.
AMERICAN HOME VIDEO: None.
REASON FOR BOOTLEG STATUS: This was never meant to be seen publicly.
CHANCES OF SEEING A COMMERCIAL DVD RELEASE: Nope.
The history of the Walt Disney Company is littered with projects that were aborted in various stages of concept and execution. Some of these canceled projects could have been truly fascinating, such as a feature-length animated film based on “Don Quixote.” Other pulled-plug endeavors would have been more than a little peculiar, such as an animated version of “The Catcher in the Rye” with an all-canine cast.
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BOOTLEG FILES 906: “Disney’s Yellow Submarine” (cancelled animated feature from the early 2010s).
LAST SEEN: Bits and pieces of the pre-production planning are on YouTube and Internet Archive.
AMERICAN HOME VIDEO: None.
REASON FOR BOOTLEG STATUS: Disney never made any of the material available for commercial sale.
CHANCES OF SEEING A COMMERCIAL DVD RELEASE: Not likely, unless a documentary on the subject is made.
Last month, this column shined its spotlight on “Strawberry Fields,” an aborted animated feature using covers of Beatles songs that was being produced in the late 1980s by Al Brodax, the producer of the 1968 classic “Yellow Submarine.” This week, we take a look at another piece of Beatles-related ephemera – a much-ballyhooed but quickly cancelled remake of “Yellow Submarine” that was planned for production and release by The Walt Disney Company.
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Established in 1988, the National Film Preservation Board of the Library of Congress works to ensure the survival, conservation, and increased public availability of America’s film heritage. Every year since 1989, the National Film Preservation Board has inducted 25 films showcasing the range and diversity of American film heritage as a way to increase awareness for its preservation.
As of 2023, there have only been fifteen animated movies included on the list, with the oldest being Disney’s “Snow White the Seven Dwarfs.” The newest: Pixar’s “WALL-E.” Disney is highly represented in this list, and I’d even argue absolutely over represented. Disney has absolutely created some of the biggest animated movies of all time, influencing so many, but while they dominate other amazing animated movies have waited in the wings deserving of a spot on the list. The Registry’s deadline is on August 15th, and I’m listing five (among so many) animated movies that deserve a spot in the National Film Registry to ensure curating and immortality.
These five films have not only proven to be influential and innovative, but they also deliver on statements and social commentary. They’re works of art begging to be re-assessed. The deadline for Public Voting ends on August 15th.
Will be in Limited Re-Release on February 9th; will be preceded by the Sparkshort Kitbull. Check Local Listings.
You gotta give it to Pixar, when they decide to do something new, they approach it head on and go all the way. Although subtlety was never their strong suit, here “Turning Red’s” one big noticeable element is that it’s about as subtle as a brick on the head. With Domee Shi directing, “Turning Red” is a decidedly very Asian flavored coming of age film that’s drawn in the style of anime and Manga.
It’s shocking how well animated “Brave” is. Brenda Chapman and Mark Andrew’s action drama is filled with an immense scale packed with Scotland terrains as far as the eye can see. “Brave is also packed with great animation featuring our hero Merida’s hair which was intricately narrated for her specific character. All of the ballyhoo about the wonderful animation is all for a narrative that’s—fine. It’s a fine movie. It’s a perfectly mediocre, often confusing movie packed with such a wonderful and brilliant animation style.
BOOTLEG FILES 852: “The Woo Song” (2024 music video by Corey Rieman the Dilemma Band incorporating Walt Disney’s “Steamboat Willie”).
LAST SEEN: On multiple social media and online video sites.
AMERICAN HOME VIDEO: Not yet.
REASON FOR BOOTLEG STATUS: The underlying “Steamboat Willie” footage has been the subject of complicated copyright actions.
CHANCES OF SEEING A COMMERCIAL DVD RELEASE: Some day, perhaps.
On New Year’s Day, Mickey Mouse was the center of attention because the copyright for the 1928 animated short “Steamboat Willie” finally expired and the groundbreaking film that helped usher synchronized sound into the world of cartoons was suddenly denuded of copyright protection. Less than two weeks after “Steamboat Willie” officially became a public domain work, footage from the film was incorporated into a bouncy music video for “The Woo Song” from the rockers Corey Rieman and the Dilemma Band.
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