In The Day The Earth Blew Up, the first 100% animated Looney Tunes theatrical movie in our lifetimes, Porky Pig, Daffy Duck, and Petunia Pig fend off an alien invasion. The full-length film is a hand-drawn, 2-D throwback of pure enjoyment and hilarious insanity, holding with the best of the generations-long series; an utter delight from start to finish.
It’s the holiday break in the 90’s. Your family turns on the TV in the evening, and change the channel to TNT. There’s now a 50 / 50 chance you’re watching A Christmas Story. On the off chance it isn’t on, a commercial is. This was tradition at the time. It became a part of the cacophony of festive background sounds. The movie was just as much a part of the holiday as a decorated tree, or vibrant colored lights being strewn across the house.
Based on the Children’s book series The Little Vampire, from German writer Angela Sommer-Bodenburg, the story from the author has been adapted before, most notably in the 2000 live action kid’s film. This version is directed by Joann Sfar with about as much competence as is humanly possible, and it’s sadly hindered by the poor American dub that sadly almost seems exclusively available. I wonder if there is a version with the original voice track, but sadly the movie isn’t so good that I will necessarily go and seek it out.
You could be forgiven for mistaking “Monster Family” as a part of the “Hotel Transylvania” movie universe, but I don’t think that’s unintentional. “Monster Family” bases itself on a lot of other better films for what amounts to such a flat affair. Despite its lively animation, everything about “Monster Family” is a messy, convoluted, and bizarre affair that never makes much sense, despite its attempts to bring itself down to Earth as a tale about family unity. Holger Tappe delivers what is just a sloppy, derivative mash-up of “Hotel Transylvania,” “The Incredibles” and “The Munsters.” And it’s never as fun as either of the aforementioned, even at its best.
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2015’s “Inside Out” felt like such a genuine and sincere attempt to figure out not just emotions but the importance that both negative and positive emotions can have. It simplified itself through normal subconscious cues like colors and characters, but through it all “Inside Out” was touching and a complex look at dealing with our feelings and learning to accept them. “Inside Out 2” is a perfectly okay follow up that has a lot to live up to. Its predecessor set the bar high and the sequel never quite hits that bar. “Inside Out 2” is stuck in the middle of trying to figure out what it’s trying to say and hitting that bottom line of introducing new characters for the sake of merchandise sales.
The latest iteration of the seemingly immortal Garfield franchise seems to work less in favor of retelling the classic story of Garfield and more in building a cinematic universe–apparently. Bafflingly, the producers seem to think there’s some merit in building this big world for Jim Davis’ Garfield. While Garfield does have a gallery of characters in his world, I never really thought of his franchise as being this sprawling world with side characters, and spin offs, and one off adventures. I doubt anyone wants a Nermal comedy, or Odie adventure. “The Garfield Movie” misses the key ingredient of what makes this series so beloved, which is Jon Arbuckle.
While John Krasinski’s “IF” doesn’t exactly break new ground, nor re-invent the wheel, what he lacks in originality, he makes up for with oodles of charm. John Krasinski has emerged as a very good multi-faceted director, and with “IF” he delivers on a very heartwarming, often entertaining tale about the hardships of growing up and having to say goodbye to certain things that made us happy. “IF” suffers from not having a completely fleshed out idea (it also leaves a sub-plot unresolved), but I loved it mainly for its warmth, good humor, and wholesomeness.