One of the most common adages in the modern age is that once upon a time we used to log on to the internet to escape reality. These days we now retreat in to reality to escape the internet. The internet and technology have become such an integral part of our everyday lives that most of us aren’t truly aware of how far tech and computers have been able to reach in to the very core of our everyday existence. What began as science fiction and cheesy fodder for movies became a prophetic over arching theme in pop culture and cinema. Artists and creators predicted not only our consumption of technology but the gradual control technology has had on our lives.
Tag Archives: Filmmaking
We Kill for Love: The Lost World of the Erotic Thriller (2023)
If you grew up in the eighties or nineties with cable television, there was always a few occasions where you’d be cruising through the channels looking for something to watch. And there was always a chance you’d happen upon channels like Showtime, Cinemax, or HBO and inevitably stumble on to an erotic thriller. These glossy movies were made cheap, and fast, and almost always featured a hard boiled male protagonist as well as an absolutely sexy woman, and always featured softcore sex. From the late eighties to the end of the nineties, the erotic thriller was a popular facet of late night television and video store shelves.
King On Screen (2023)
The best thing about “King on Screen” is the prologue by Daphne Baiwir which finds her walking in to a shop called the “Creepshop” where she hopes to show a painting she’d purchased. The setting, the characters, and the items in the shop are all subtle visual and verbal references to Stephen King and elements of Stephen King’s stories. It’s something that hooked me in right away and I quite loved the entire effects of Baiwir being savvy to King enough to deliver something of an ode to King. It compensates for “King on Screen” which, in its root, is another basic talking head documentary.
Sharksploitation (2023)
With the anniversary of “Jaws,” Stephen Scarlata’s documentary comes at the right time, as sharksploitation has managed to experience something of a resurgence. Along with “The Meg 2” coming to theaters, we’ve also had fodder like “The Black Demon,” “The Devil’s Mouth,” “Deep Water,” and “Cocaine Shark.” So “Sharksploitation” is something of an overdue account of the creation of sharksploitation movies, and how one movie named “Jaws” created what would become a fascinating, often infamous sub-genre of action and horror movies that’s spanned decades.
Final Cut (Coupez!) (2023)
If you, like me, were blown away by 2017’s “One Cut of the Dead,” you’ll have been surprised to learn that there was indeed a French language remake right down the pipeline. I’ll admit that I was very annoyed by this news, but everyone’s experience making movies is different and this story translates well to any one that has endured making art. “Final Cut” when all is said and done is a very good remake of the 2017 original. It’s funny and clever, but it never quite hits the emotional highs and sincerity that Shin’ichirō Ueda’s original ever does.
The Disaster Art of “The Room” And Making Movies
Returning to theaters with a special “celebration” screening for one night only on June 27th; tickets for the event can be purchased at Fathom Events in participating theater box offices. Some locations are subject to change.
Back in 1999, my uncle was clearing out his old stuff and decided to give me his old camcorder. At that time, I was probably seventeen. I decided I wanted to become a filmmaker. He’d had this old camcorder from the early 1980’s that had no sound, was color (I use the word loosely), and could only really attach to the VCR if you wanted to film with it. In either case, I’d decided to play with it for a while and then staged a short film with my brother and sister. It was the three of us in the middle of the night filming a horror movie in my small bed room. We ended up with about a four minute video. The four minute “short film” had taken us about eight hours to film, overall.
Hollywood Dreams & Nightmares: The Robert Englund Story (2023)
For fans that are expecting another documentary about Robert Englund as Freddy Krueger, “Hollywood Dreams & Nightmares” ends up being much more about Englund the actor. While the documentary, clocking in at two hours, does explore a lot about Robert Englund’s time as Freddy Krueger, Gary Smart and Christopher Griffiths’ film is so much more about the actor and thespian Robert Englund. I’m quite happy that that’s the angle that they aim for, as “Hollywood Dreams & Nightmares” is able to set itself apart from so many other horror documentaries. Robert Englund is a seasoned actor and thespian who was classically trained and spent his life trying to perfect his craft.
Pleasure (2021) [LA&M Film Fetish Forum]
Many times in our lives we spend it eating our meals, but never really knowing how the meal is prepared. We never know how the sausage is stuffed, we never see the cow butchered, and “Pleasure” is, in a way, a look at how the cow is butchered for our entertainment. “Pleasure” isn’t so much an indictment of the porn industry, it’s more so a look at the rough and shoddy experience that is the porn industry and how much it can destroy someone that isn’t quite prepared for it. Our main protagonist Bella Cherry is a woman who will do anything to be a famous porn star, but the question lingers is how far is she willing to go to achieve that stardom?