Tag Archives: Giallo

Knife+Heart (2018) [LA&M Film Fetish Forum]

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Playing at the LA&M Film Fetish Forum Saturday, January 20th at 7pm; it will be Co-Presented by Cinematic Void.

Director Yann Gonzalez’s “Knife+Heart” is a movie that’s too silly to be taken as a giallo, and too serious to be taken as a dark comedy. It’s constantly shifting in tones and storylines which makes its narrative frame work feel so disorienting and ultimately kind of unbearable. Truth be told I slept through a quarter of “Knife+Heart” because it has so much trouble maintaining its multiple plot threads that it just rambled for long periods of time. Any kind of momentum or tension that picks up during “Knife+Heart” feels accidental as director Gonzalez can never quite decide on what kind of story he’s trying to tell.

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BAD MOVIE MONDAY: NEW YEAR’S EVIL (1980)

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Today’s BAD MOVIE MONDAY column is about a film called NEW YEAR’S EVIL. It was released in 1980 and was directed by Emmett Alston. It stars Roz Kelly, Kip Niven, Grant Cramer and Chris Wallace. The film is a pretty good horror movie, but… is it a slasher? I’ve always said that from 1979 to about 1983 every horror movie was trying to force itself into the slasher subgenre, often with poor results, and NEW YEAR’S EVIL is the perfect example of a movie that feels like it was hastily rewritten to fit the trend. So you know what? Instead of a review, I’m going to answer the question of whether or not NEW YEAR’S EVIL is a Slasher Movie, and my answer will be definitive.
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BAD MOVIE MONDAY: PIECES (1982)

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The word of the day, when choosing something for my friends and I to watch on BAD MOVIE MONDAY, has almost always been “agony”. However, on the particular night that we watched this movie I thought it’d probably healthier for their collective sanity to at least try to pick something that wasn’t gut wrenchingly awful. Hence, we watched 1982’s PIECES. Partially because it has Christopher George in it, who’s sort of become my own personal bad movie mascot, and also because no one else but me in the group had watched it and I thought it was a rather important film. It’s a quirky mix of Italian Giallo and American Slasher movie tropes, even though the film is Spanish. It’s also not a bad movie in any way. Let me be very clear about that. However, it has enough bonkers moments and questionable logic to be shown on a “bad” movie night.
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The Last Matinee (Al morir la matinee) (2021)

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Back in the golden age of video stores, a lot of times when you weren’t informed on certain video releases, you’d pretty much have to rent something out of the blue. Sometimes you came home with a lemon, and sometimes you ended up renting something amazing. “The Last Matinee” feels like that lost video store gem, that movie inhabiting the corner of the horror section of the video store that is waiting to be discovered. And when it’s discovered it’s bound to blow you out of your seat.

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