Nothing Men (Digital)

In the interest of full disclosure, I am a long time friend with author Doug Brunell, but this review is as objective and fair as possible.

Reading “Nothing Men” is a lot like the beginning of a rollercoaster, where you’re riding up further and further and building up to momentum. You’re sitting waiting thinking “Here it comes, here it comes,” and when the rush finally does come, author Doug Brunell delivers on a final half that soaked with blood, guts, and an ending that will likely make you re-think travelling to small towns ever again. “Nothing Men” made me think about the like of Herschell Gordon Lewis, Tobe Hooper, and prompted flashbacks of films like “The Wicker Man” and “Texas Chainsaw Massacre.”

No matter how far you run, you’re never really quite out of the grasp of the environment and its deadly residents that dwell in its bowels, and that sends a surge of dread and a bleak atmosphere in “Nothing Men” that’s wrenching. Especially in its final pages. Author Brunell simply doesn’t let his characters off the hook, and punishes just about everyone in the book. It’s almost like a splatter version of “Funny Games” at times. Partly they pay for playing god, and partly for their hubris in the situation. Hubris is the ultimate undoing for just about everyone in the book, and Brunell unfolds layers of Valley Bottom slowly with every chapter.

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Three on a Meathook: Interview with Author Doug Brunell

I was first introduced to Doug Brunell back in 2004, when I discovered his column “Excess Hollywood” at Film Threat. His column was often so addictive and volatile I spent a few days reading the entire archive. When I joined Film Threat in 2005, I made a point of befriending Doug, because he’s simply one of my favorite online writers and I had to pick his brain and learn from him. Since then, Doug has been a consistent source of creative inspiration, an all around nice guy, and someone who isn’t smug about his talent. After reading his gory new horror novel “Nothing Men,” we interviewed Doug about his book and views about movies and entertainment since he is still a very ardent and influential voice in film criticism.

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Our Top Ten Tarantino Characters

Above all else, director Quentin Tarantino has a talent for creating some of the most memorable film characters of all time. Ever since his debut with “Reservoir Dogs,” he’s shown that he can take much of his favorite influences and transform them in to appealing and charismatic characters with great back stories that you can quote until the cows come home. Whether you think of him as a hack or a true artist, Quentin Tarantino is one of the rare filmmakers who can build his characters as pastiches of his favorite pop culture influences and still be able to come out fresh as a daisy. While most of his characters are all derived from some source, Tarantino’s charismatic writing, sharp one-liners, and flashy personalities for each persona grants even the weakest character in the Tarantinoverse some sense of staying power in the collective memories of fans and movie viewers alike. Whether it’s the Bear Jew, Vinnie Vega, or English Bob, you know when it’s a Tarantino character. And you love them, even when you hate them.

In celebration of Tarantino’s newest, and very explosive film entitled “Django Unchained,” we present our Top 10 Tarantino Characters of all time. So far.

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Silent Night (2012)

“Don’t put avocado on the burger!”

You just can’t take a movie like “Silent Night” all that seriously. It’s twisted, demented, and weird, and features a small town with a perverted priest, and a slew of gorgeous women sauntering about like it’s just another day. Jaime King is the sheriff, Ellen Wong is her secretary, single moms are attractive, and the slashing Santa spends most of his time murdering good looking women in the most sadistic ways imaginable. It’s a splatter film and an exploitation film first and foremost, so if you’re expecting high art with complex themes about Christmas, you should look elsewhere. Director Steven C. Miller knows exactly what kind of film he’s directing, and he never holds back from delivering the gore and the torture in all of the most convenient forms possible.

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The Return of the Living Dead (1985)

return-of-the-living-dead

Director Dan O’Bannon’s 1985 zombie picture is about as pitch perfect a horror comedy you can get. The film itself re-imagines the walking dead and manages to deliver oodles of comedy and horror nuggets to its audience that has kept it alive and kicking since its initial release. What many thought was once an untouchable formula transformed the walking dead in to a beast anyone could tinker with, and allowed other writers and directors a chance at re-creating the modern zombie. Sadly, none have been quite as successful as Dan O’Bannon and the minds of “The Return of the Living Dead.”

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Kiddy Kiddy Bang Bang (2012)

Dick Jane’s short film is obviously just a prologue to further adventures of its two heroines. It’s either going to be the first in a series of short films, or “Kiddy Kiddy Bang Bang” is a pitch for a feature film in the making. If Dick Jane gets it off the ground, I can imagine Troma being more than willing to scoop this up and make this in to a cult classic. As a short film it’s exploitative, ridiculous, far-fetched, and the entire story just makes no damn sense. I also snickered at the dedication to sexual abuse victims in the final scene.

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Screaming in High Heels: The Rise & Fall of the Scream Queen Era (2012)

hifNZixLike pretty much any documentary involving the video age and golden age of horror “Screaming in High Heels” is a love letter to the genre, and a requiem for a period of horror and filmmaking that is dead and buried. Granted there is the occasional Danielle Harris and Diora Baird, but the facet of the scream queen is defunct, thanks to a new wave of horror directors who feel they’re above such elements. Scream Queens were once upon a time a big lure for potential horror audiences to a new title. Director Jason Paul Collum sets the spotlight on three of the most beautiful women to ever rule the horror world, and examines the highs and lows of being a scream queen.

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