Short Films for You! France Edition 

Today is Jour de la Bastille, which means, we should celebrate France. So, for this week’s crop of Short Films for You! we have 6 shorts that are either French or take place in France. These are all subtitled in English or shot in English. Without further ado, les voilà: 

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Abraham Lincoln vs. Zombies (2012)

“Emancipate this!”

The only thing we have to fear, is fear itself. And of course, flesh eating Confederate zombies. Those things are always a bugger on countries and whatnot. Those dang confederate zombies. After a prologue showing young Mr. Lincoln beheading his undead father with an axe, he soon discovers years in to his presidency that Confederate soldiers are rising from their graves and are spreading along the country to wreak havoc on the living. Abraham Lincoln takes it upon himself to lead the charge and stop the siege of the undead with a secret mission, and soon must fight for his life against hordes of the walking dead, alongside his brethren of pistol shooting suited men. “Abraham Lincoln vs. Zombies” is basically “Night of the Living Dead” but with a very twisted historical context. Instead of a farm house there’s a military fort, and instead of a group of survivors, there’s Abe Lincoln, a young Teddy Roosevelt, and a bunch of other characters that double for cannon fodder for the zombies.

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Abraham Lincoln: Vampire Hunter (2012)

Though I never actually had the opportunity to read Seth Grahame-Smith’s original novel, director Timur Bekmambetov’s treatment of the revisionist novel is one of the more interesting horror movies I’ve ever seen. Not only does the film skirt the edges of camp, but it accomplishes the wonderful sense of surrealism and whimsy that Bekmambetov’s “Night Watch” films held so proudly. “Vampire Hunter” carries with it a lot of prospects for future installments, and it’s a very clever and often exciting bit of action horror that delivers on exactly what its title promises. There is Abraham Lincoln, and he does indeed stalk and hunt vampires for a great portion of the film.

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Titanic (1997)


It’s not a surprise why “Titanic” ended up becoming one of the highest grossing movies of all time and was later de-throned by “Avatar” by the very same director that brought us the aforementioned movie. Both films are so utterly broadly written and vague in their mass appeal that they’re pretty much guaranteed to be massive hits. With his hand on the button of the latest special effects, and a script that can be as ho hum and derivative as possible without a single complaint from his audience, “Titanic” is one of the two major blockbusters from director James Cameron. And like his future massive hit “Avatar,” it is an immense crowd pleaser because it doesn’t challenge or push its audience to think. It merely offers up vague characters, hackneyed archetypes, and a bang up special effects presentation that is still the small highlight in a giant disappointment.

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