Interview with Director Spencer Jamison, of “At Capacity”

Hello, Can you introduce yourself to our readers?
First, thank you for engaging with me and my work.

You’re welcome!

I am Spencer Jamison, a filmmaker born and raised in Richmond, VA. I am the writer, director, and lead of “At Capacity.” I started working professionally as an actor and singer in the theater and film/television as an undergraduate at James Madison University. At my core lives an inner child who found solace in Black sitcoms from the 90s, movie musicals, political action thrillers, and classic romantic comedies. My biggest hope is that the work I create inspires the same kind of wonder and encouragement I received from watching my favorite films, plays, musicals, songs, and television series.

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Last Man Standing: The Chronicles of Myron Sugerman (2023)

Director Jonny Caplan’s documentary is probably one of the most outstanding and entertaining crime documentaries of the year. Despite its short run time, he manages to unfold the story of a real underdog hero and anti-establishment mobster whose entire life was spent virtually kicking societal status quos in the ass. “Last Man Standing” is a True Crime Feature Documentary on the life of Myron Sugerman, son of Barney Sugerman, a partner of leading US mobster Meyer Lansky.

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At Capacity (2024)

I admit I was a bit skeptical about approaching “At Capacity” because a lot of these films always feels so cynical, Thankfully, Spencer Jamison is so talented she lends a fresh gloss to a tired formula. Having had its world premiere at the LA Shorts International Film Festival, “At Capacity” is an entertaining and intelligent romance comedy about serendipity and salvaging good out of what might seem irreversibly bad.

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The Mexico Trilogy: El Mariachi, Desperado & Once Upon a Time in Mexico Limited Edition [4K UHD/Blu-ray]

The best way to approach Robert Rodriguez’s series of action films are as more avante garde independent films. They’re much more obsessed with the mysticism and the lore of the mariachi than pursuing traditional action films. In the process he loses himself in a trio of imperfect often incoherent action films that, while fun, are hard to follow. “El Marciahi” for instance cost Rodriguez everything to make where he couldn’t even afford to film two takes for a lot of his shots. In spite of the troubles, the film made him an indie legend, inspiring many to go their own gold. “Desperado” is the partial remake and sequel now following Antonio Banderas as El Mariachi. The vengeful and vicious music player travels across Mexico with the aide of a gorgeous local nurse—played by then unknown Salma Hayek–as he sets out to put and end to their reign.

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Interviewing Christopher Greenslate of “Bananahead”

For our readers, please introduce yourself.
I’m Christopher Greenslate, writer, director and producer of BANANAHEAD as well as a few other projects. It’s a funny thing trying to introduce oneself in an interview, but I’m someone who grew up in the punk and hardcore music scene and I’ve done a bunch of stuff. Toured with bands, put out records, published some work as a writer, but I’ve been working in film and television ever since I graduated from the American Film Institute back in 2016, and it finally seems like I’m hitting my stride. But I’m hopelessly optimistic, so who knows if that’s true?

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The Night is Young (2024) [Popcorn Frights 2024]

It’s not many movies that begin feeling like some kind of goofy fun romantic comedy and transforms in to a war concerning vampires. Patrick Rea is up for the challenge of delivering on a movie with a firm tongue in cheek that’s mostly viewed through the lens of a modern video camera. I’m not too sure how vampires appear on screen but that’s for the artist to decide on terms when it comes to on screen vampires. “The Night Is Young” is a pretty good mixing of genres and sub-genres, centering itself on a woman who is on the hunt for a new girlfriend.

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Bananahead (2024)

Selected to screen at the 2024 HollyShorts Film Festival, director Christopher Greenslate’s “Bananahead” is an unnerving and well told tale about legacy and impostor syndrome. It’s very much a horror movie, but it’s also a very stark movie about hitting a bar that someone previously left and a lot of what they can leave behind after they have gone. Sally Maersk is a stunner in the role as Andi Sanger, a young performer who gives herself the inherent pressure of taking on a role in the adaptation in her mom’s best selling book “Bananahead.”

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