The best way to summarize “Shredder Orpheus” is if “Gleaming the Cube” and “Videodrome” had a torrid violent, sexual love affair while high on shrooms that projected new wave music videos in to their brains, all the while the pair ended their rendezvous with a round of skateboarding. Courtesy of Boom! Cult and AGFA, Robert McGinley’s VHS SOV genre film is simultaneously oddly entertaining but also incredibly mind numbing. It’s a dystopian tale that seems to be working toward some kind of coherency at times, but occasionally gives up in exchange of using the budget to showcase skateboarding. In lieu of story there are just aimless scenes of people skateboarding.
Virality seems to be the new aide to indie filmmakers these days. Especially with movie studios treating films like disposable products that they can use as a simple tax write off, many times the best way for filmmakers to get traction on their work is through viral means on the web. Among one of the more notable is J. Zachary Thurman’s short “Finley.” A horror comedy with a genuinely interesting story, “Finley” recently went viral on the likes of Youtube and apps like Tik Tok, the latter of which has inspired many horror tik tokers to post live reactions to Mr. Thurman’s short.
Genuinely funny, and downright fun, “Finley” is the tale of a haunted doll named Finley that comes to life to torment the owners of a new house. The problem is that Finley is really bad at trying to kill people, and eventually becomes an utter nuisance. Filled with great puppetry, a genuinely fun concept, and oodles of clever humor, “Finley” (now available on youtube) is a short film deserving of huge attention. J. Zachary Thurman took time out of his very busy schedule to discuss the short and his thoughts on horror comedies and filmmaking.
Like clockwork every year a studio releases a Christmas themed anthology for the masses, and almost always it’s a big letdown. It’s not really enough to inject the whole Christmas aesthetic. A genuinely scary story helps, too. “Nightmare on 34th Street” is a rambling, often nonsensical, unscary Christmas anthology movie that is literally all over the place. It re-uses actors, garners a whole cast that spend their time obviously reading from cue cards off screen, and director Crow doubles down a shoddy editing job that makes his film more confusing and jarring than scary.
Before the video game age, arcades were one of the biggest social spots for mainly kids and teenagers to commute, compete, and share their passion. Once home video game became a mainstay allowing kids a more personal and intimate video gaming experience. This prompted the unfortunate collapse of the arcade industry for a very long time. That is until the last twenty years when many folks that fondly recall the arcade age and the joy it brought them sought to revive not just the arcade, but the social experience of the arcade.
See here’s my problem with “Bad CGI Gator.” It’s not that it takes a short coming and tries to turn it in to some kind of schlocky B movie element. It’s that the movie is only fifty eight minutes and it’s called “Bad CGI Gator.” And said Bad CGI Gator doesn’t make an appearance until at least seventeen minutes in to the movie. If you have only sixty minutes to work with, and your movie is called “Bad CGI Gator,” and you’re promising a Bad CGI Gator, I would think one would try to plaster the titular Bad CGI Gator on every frame as much as humanly possible.
With great success of a blockbuster, there’s always bound to be a mockbuster that comes up from the rear to pull from the momentum. What with the shocking success of “Five Nights at Freddy’s,” we have the UK mockbuster known unsubtly as “Freddy’s Fridays.” From director Ben J. Williams (who gave us “Supernado,” and “Spiders on a Plane”) comes a pretty dull horror movie that is a hefty mixture of “Five Nights at Freddy’s” and “Hellraiser.” It’s a paper thin premise that probably took a paragraph to expound on on paper, and amounts to a barely eighty minute movie that works hard to stretch the run time with a ton of filler.
A hitman who took over the family business from his father ends up taking a young woman after she’s witnessed a hit. There is something more to her that is making him care about her survival.
A firefighter driving a possessed van commits unspeakable acts in a small town.