With Steven Spielberg’s “West Side Story” he manages to offer up a brilliant, dazzling, and engrossing epic retelling of the original musical. It’s stunning how much Spielberg is able to suck us in using the elements of dance as important and crucial moments of exposition in lieu of endless dialogue. To say that “West Side Story” is a surprise, is an understatement. While Spielberg is a wonderful director, there’s never been any indication he could deliver on a musical. But with his version of “West Side Story” is gives us the classic tale of star crossed lovers, and a race war amidst the back drop of New York. Except what Spielberg does is beautifully recontextualizes the entire tale of the Jets and the Sharks for Modern audiences.
Jenna Ortega has gone from former Disney Channel actress to one of the most mesmerizing young actresses in Hollywood. While she’s managed to slay the horror world with her immense performances, she’s also proven she can handle other plains of cinema, case in point the pretty great “The Fallout.” Director Megan Park’s drama handles a very relevant often volatile social topic, exploring the aftermath and what happens when victims simply can’t figure out how to process their grief.
After Wes Craven’s unfortunate passing, the “Scream” franchise went in to a limbo where its fate seemed uncertain. It was still a hot property with a lot of ideas to bring forth but without the engineer Craven behind it, there didn’t seem much point. And with the MTV series and horrendous follow up mini-series, it definitely felt like there wasn’t a point in continuing the movie series. Thankfully, “Scream” (or “Scream 5”) doesn’t just do a bang up job of carrying on the legacy of meta-humor, movie commentary, and subverting movie tropes, but it brings a powerful statement about legacy.
The legacies we build, and the legacies we leave behind.
A replacement disc program is currently available for this disc. FOLLOW THIS LINK to request one. The cut of the film featured on the first pressing has an alternate edit of the iconic moment of Ingrid Pitt rising from the bathtub.
Filmmakers, writers, and artists alike have always been enamored with the legend of the vampire Carmilla. She’s a mystifying vampire and seductress who bewitches literally every woman she comes across, and “The Vampire Lovers” sets her front and center. While Ingrid Pitt as Carmillla is arguably the central character, she’s hardly what you would define as a heroine. She exists to feast on men and indulge in other women.
Amy Holden Jones’ original 1982 “The Slumber Party Massacre” is considered one of the great trashy slasher classics of the 1980’s. It’s a movie that’s so irredeemably stupid but is still celebrated by many fans. I personally think the sequels are better, if infinitely stupider, but that’s neither here nor there. 2021’s “Slumber Party Massacre” is both a meta-satire and re-imagining that follows up on the original events of the premise of the original movie and turns it on its head.
After whatever that MTV reboot of “Scream” was, networks and companies seem to be learning all the wrong lessons from it. Rather than breathe new life in to a once solid slasher series, Amazon has botched it from out the gates. Instead of a tense, white knuckle slasher/murder mystery, Lois Duncan’s novel is adapted in to an erotic teen drama thriller. Think less “Slasher” and more “Riverdale.” It’s a glacially paced glorified drama with a horror tint that downplays the horror and slasher aspects of the aforementioned movie series in favor of gratuitous sex, pointless nudity, and droning dialogue.
A coming-of-age story about a young gay boy whose mother marries through the mail order bride system to an American to give them both a better life. Once in America, the boy grows up questioning himself and life until he finds his place among his peers.