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The Bootleg Files: Follies

BOOTLEG FILES 861: “Follies” (fan film recreation of the legendary 1971 Broadway musical).

LAST SEEN: On YouTube.

AMERICAN HOME VIDEO: None.

REASON FOR BOOTLEG STATUS: An unauthorized presentation of inconsistent quality.

CHANCES OF SEEING A COMMERCIAL DVD RELEASE: Not likely.

When the Stephen Sondheim musical “Follies” opened on Broadway in April 1971, the show’s co-director Harold Prince was sowing the seeds of a potential film version featuring some of Hollywood’s greatest stars. John Springer, who handled the publicity for the Broadway show, would later claim that a minor miracle was achieved when Bette Davis and Joan Crawford agreed to be in the film – albeit without being in the same scene; Springer also insisted Gloria Swanson, Elizabeth Taylor and Richard Burton expressed interest in being part of the cast.
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The Bootleg Files: Gentlemen Marry Brunettes

BOOTLEG FILES 858: “Gentlemen Marry Brunettes” (1955 musical starring Jane Russell and Jeanne Craig).

LAST SEEN: On YouTube and DailyMotion.com.

AMERICAN HOME VIDEO: None.

REASON FOR BOOTLEG STATUS:
Most likely because of music rights clearance problems.

CHANCES OF SEEING A COMMERCIAL DVD RELEASE: Not likely.

Despite its similar title, the vaguely identical plot involving two American showgirls in Paris and the presence of Jane Russell, the 1955 “Gentlemen Marry Brunettes” is not a sequel to the 1953 “Gentlemen Prefer Blondes.” Yes, the source material – Anita Loos’ 1927 novel “But Gentlemen Marry Brunettes” – is a sequel to her 1925 “Gentlemen Prefer Blondes,” but the film does not use the plot of the Loos book.

Indeed, the two films should not be mentioned in the same breath. “Gentlemen Prefer Blondes” is one of the greatest musical comedies of all time – a witty, stylish, rollicking classic that offered Russell and Marilyn Monroe their best screen roles. “Gentlemen Marry Brunettes” doesn’t come close to the first production’s greatness at any level.
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The Bootleg Files: Jive Junction

BOOTLEG FILES 847: “Jive Junction” (1943 musical starring Dickie Moore and directed by Edgar G. Ulmer).

LAST SEEN: On DailyMotion.com.

AMERICAN HOME VIDEO: It doesn’t appear to have been released.

REASON FOR BOOTLEG STATUS: There might be a music rights issue.

CHANCES OF SEEING A COMMERCIAL DVD RELEASE: Not likely.

When you think of the musicals of the 1940s, you probably think about the big-budget Technicolor productions from MGM or 20th Century Fox. Few people would immediately call to mind the output of Producers Releasing Corporation (PRC), the Poverty Row funhouse that churned out low-budget Westerns and thrillers. Every now and then, this cheapjack studio would put forth a musical – and while none of these films resonated within the popular culture, they provided enough silly distraction to help theaters fill their double features.
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The Bootleg Files: Second Chorus

BOOTLEG FILES 832: “Second Chorus” (1940 musical comedy with Fred Astaire, Paulette Goddard and Burgess Meredith).

LAST SEEN: On YouTube.

AMERICAN HOME VIDEO:
On public domain labels.

REASON FOR BOOTLEG STATUS: A lapsed copyright.

CHANCES OF SEEING A COMMERCIAL DVD RELEASE:
Not likely, although in theory there could be a rescue it from public domain hell.

In 1968, Fred Astaire returned to films after a six-year absence to star in the big-budget musical “Finian’s Rainbow.” In the media push for the film, Astaire was asked by a reporter which one of his film’s was his worst – the star stated without pause that the 1940 “Second Chorus” was the low point of his career.
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Rita Hayworth: The Love Goddess

You can put the blame on Mame, boys, because the 7th season of “The Online Movie Show with Phil Hall” has launched with a celebration of the ultimate Love Goddess, the one and only Rita Hayworth. Actor-writer Joe Mannetti returns as the guest for this season premiere episode.

The episode can be heard here.

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The Bootleg Files: The TV Cubana Version of “Hello, Dolly!”

BOOTLEG FILES 825: The TV Cubana Version of “Hello, Dolly!” (1985 Cuban television recording of the Havana theatrical staging of the Broadway musical).

LAST SEEN: On YouTube.

AMERICAN HOME VIDEO:
None.

REASON FOR BOOTLEG STATUS: Rights clearance issues and a perceived lack of commercial viability.

CHANCES OF SEEING A COMMERCIAL DVD RELEASE: Nope.

One of the most polarizing films ever made was, oddly, the 1969 musical “Hello, Dolly!” This is not a film that inspires indifference – either you embrace as a grand, old-school screen musical with Barbra Streisand giving one of her best performances or you condemn it as an over-produced mess burdened by a star who was much too young for her role. And if you should ever stumble over a Facebook forum debate on the film’s merits and deficiencies, prepare yourself for one of the most rancorous discussions on social media – trust me, I’ve been audience to several of them!
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