I’m pretty surprised that Avan Jogia had it in him to direct one of the better indie films I’ve seen all year. Shockingly, “Door Mouse” is not based on any particular comic book or graphic novel, but its influences are taken from obvious places like Frank Miller, Sam Spade, Scott Pilgrim, Tank Girl and the like. Jogia is mostly known for being a former Nickelodeon actor in America who then transitioned well in to adult films, but he’s also proven with “Door Mouse” to be a pretty awesome director when all is said and done. “Door Mouse” is a pulpy, neo-noirish, crime thriller with some great references to comic books and a very clever use of animation as a means of helping to add to the overall pulp fiction aesthetic that Jogia seems to be aiming for.
Tag Archives: Neo-Noir
John Wick: Chapter 4 (2023)
Often times when a movie series has gone on as long as “John Wick” has, it offers diminishing returns. Thankfully, though the saga of “John Wick” has only amped up its game the further along it gets in the storyline of the “Baba Yaga” and “John Wick: Chapter 4” really is a massive step up. While the previous three films in the series have been monstrous, “John Wick Chapter 4” is thankfully something completely different while also it embraces what made the aforementioned movies so dazzling and engrossing. The narrative furthers Wick’s transformation in this world from an ex-assassin trying to live his life, as someone who is trying to re-claim his life.
I XXXX My Sex Doll (2022) [CINEJOY 2023]
Since the rise of the demand for Sex dolls has increased, it’s been debated on whether or not they contribute to the decrease on sexual crimes committed by men. Whether or not they do, Director Fay Beck’s “I XXXX My Sex Doll” is a stark message that what ever the circumstances may be, a violent person will always be a violent person.
Let Me Go (The Right Way) (2023)
“Let Me Go (The Right Way)” takes Destry Allyn Spielberg, Hopper Penn, and Owen King (a who’s who of Hollywood Heavyweights’ progeny) and teams them to deliver what can easily be described as a psychological thriller with big feature aspirations. Spielberg and writer King play on the concept of the Mandela Effect (with a dash of “Memento” and Phillip K. Dick), and use it to spin a tale that is a lot about collective memory, and what can feel like going insane when we’re stricken with mental illness.
Girl (2020)
Director/Writer Chad Faust really knows what he’s doing in “Girl,” as he places a lot of the film’s weight on star Bella Thorne. Thorne is an underrated actress that’s been stuck in a lot of terrible movies, but when she’s paired with the right director, she gives performances like the one we see in “Girl.” Star Thorne carries what’s just an okay movie that feels like it aspires too eagerly to be held in the class of other backwoods dramas like 2010’s “Winter’s Bone.”
You Have to See This! Cool World (1992)
“Sweetheart, I’m the biggest ripped-off cartoonist in the history of the world, and that’s all I’m going to say.” – Ralph Bakshi
Ralph Bakshi’s “Cool World” is a movie without a specific audience in mind, and doesn’t seem to know who it’s appealing to. It’s too dark and adult to be considered another “Who Framed Roger Rabbit?” and much too juvenile to be taken as an adult film. I vividly remember collecting comic books as a kid and seeing full page ads for “Cool World” in every single issue I bought, and yet the movie clearly was not intended for a nine year old, and was too underground for teenagers. In a decade where everyone was trying to be Disney, I doubt many audiences were in the market for a dark erotic animated neo-noir satire involving an animated seductress trying to have sex with her creator so she can become a human.
Terminal (2018)
In a neon-filled city, the pair of killers is carrying out their dark plan while a few characters meet with a sweet yet odd waitress. Her charm and behavior lead the story to open and their lives to unravel in front of the viewer’s eyes.