Sympathy for The Devil (2023)

Director Yuval Adler’s “Sympathy for the Devil” is a movie for the Nicolas Cage fan base, those people that love to see Nicolas Cage go berserk and completely the chew the scenery for ninety minutes. It’s as if Yuval Adler went on set and told Nic Cage to just be Nic Cage, because out of all the Nic Cage performances in his repertoire this is the Nic Cagest you’ll see. He Nic Cage’s the hell out of this movie. “Sympathy for the Devil” is part horror movie, part survival thriller, part crime thriller and part mystery. It’s “Collateral” but on acid.

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Renfield (2023): ‘Dracula Sucks’ Edition [Blu-Ray/DVD/Digital]

Chris McKay’s take on the Dracula dynamic with Renfield has a lot going for it, but it also has so much stacked against it from the starting gate. In a year teeming with Dracula iterations, “Renfield” has a real shot at standing out among the other interpretations of Bram Stoker’s lore, but never really rises to the occasion. That’s mainly because while the concept is interesting “Renfield” never decides what it wants to be. It wants to be a satire on “Dracula,” and a commentary on abusive relationships. It tries to be a cop action, a buddy comedy, a vampire film, and straddles the dangerous line of being a satire on the abuser and abused relationship at times.

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Con Air (1997)

I would have loved to be there at the pitch meeting for “Con Air.” Take “Die Hard,” make the villain John Malkovich and make its two heroes once popular eighties stars, and you have yourself what is a tonally uneven but pretty solid action movie all around. Star Nicolas Cage does double duty camp as hero Cameron Poe, an army ranger who accidentally murders a man while attempting to defend his wife one night at a bar. For some reason this qualifies him to travel on a transport flight to a new prison alongside some of the worst criminals in the world (?). This includes rapists, cannibals, child molesters, and vicious serial killer Cyrus “The Virus” Grissom, as played by John Malkovich.

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Face/Off (1997)

America never did John Woo any favors, did it? The man who gave us “The Killer” and “Hard Boiled” now offers us a movie where American stars John Travolta and Nicolas Cage seem to be competing to see who is a worse actor. I guess when you’re working alongside Cage, though, you either have to be as awful as he is, or else risk causing some kind of black hole. Either way, for a man who has such a skill for delivering breakneck action films, “Face/Off” is that movie so moronic, you can’t even excuse it as science fiction. It’s kind of that movie you just accepted in 1997 mainly because Cage and Travolta joining forces was a little better than when Travolta met Christian Slater in “Broken Arrow.”

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Gone in Sixty Seconds (2000)

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How do you take one of the more unique race car films from the seventies and destroy it? Remake it with a bland story, add a very adult cast of Nic Cage, Angelina Jolie, and Vinnie Jones, and slap a PG-13 rating on it. Also, turn it in to a lame ass action comedy, for extra insult to injury. “Gone in Sixty Seconds” from 2000 is an uneven and fairly tedious action comedy that has all the edge of a crime thriller, except it’s suitable for teenagers, a crowd that will appreciate director Dominic Sena’s insistence on imitating Michael Bay.

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Adaptation. (2002)

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It’s easy for directors to spoof themselves and their own movies, and it could easily come off as self-indulgent, but director Spike Johnze somehow makes it seem refreshing and truly bold. I was intrigued from the beginning as Jonze dares to be cliché and predictable from beginning to end. Charlie Kaufman is an odd character. He’s insecure, self-loathing, balding, and never knows the right thing to say to people despite the fact that many people actually like him but he manages to instantly repel them with his knack for talking too much and saying the wrong or inappropriate thing as he does with an attractive friendly waitress (Judy Greer) at a restaurant. Charlie is constantly running his head with thoughts of insecurity despite the fact that he’s thought of as a genius in Hollywood.

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