This week, “The Online Movie Show” is taking a holiday break. If you’ve missed any of the podcast’s 143 episodes, please check out the playlist and enjoy five seasons’ worth of programming.
This week, “The Online Movie Show” is taking a holiday break. If you’ve missed any of the podcast’s 143 episodes, please check out the playlist and enjoy five seasons’ worth of programming.
“The Online Movie Show” podcast will be on hiatus until September. If you missed any of the episodes over the past four seasons, here is the complete playlist from the first episode (celebrating James Dean) to the most recent (reviewing the work of Audrey Hepburn).
From the silent movie era to today’s digital cinema, the women of comedy fought hard to get the laughs from the audiences and the respect of the critics. In this episode of “The Online Movie Show,” comic-writer-actor Kevin Dolan offers insight on the struggles and triumphs faced by the funniest women in film history.
We’re off the road to laughter as Bing Crosby, Bob Hope and Dorothy Lamour take us on a multi-film adventure of madcap comedy. Film historian James L. Neibaur is our guide on this voyage into mirthful mischief.
Jean Harlow was Hollywood’s original blonde bombshell, and she lit up the Pre-Code screen with spirit and sexiness that has never been duplicated. In this episode of “The Online Movie Show,” James L. Neibaur, author of “The Jean Harlow Films,” pays tribute to the great star’s too-brief life and stellar career.
Elvis Presley was the king of rock ‘n’ roll, but he was also one of the most popular film stars from the mid-1950s through the late 1960s. In this episode of “The Online Movie Show,” film historian James L. Neibaur, author of “The Elvis Movies,” considers Elvis’ cinema output and place in film history.
The episode can be heard here.
Although Lon Chaney Jr. secured a spot as horror film royalty by playing the title character in “The Wolfman,” his best work often occurred outside of the horror genre. In this episode of “The Online Movie Show,” film historian Troy Howarth explores Chaney’s erratic but often intriguing career, tracking his remarkable work in “Of Mice and Men” and “High Noon” and his shaky endeavors as “Son of Dracula” and in the “Inner Sanctum” series, with a pause to address the urban legend surrounding his live television “Frankenstein” performance.