Director Arthur Jones’ documentary is probably one of the most important and depressing films of the last five years. It’s mainly a movie that doesn’t just touch upon the snowballing of a mascot for pure hatred and violence, but the horrifying power of the internet and its litany of sub-cultures. It also explores the little known fact that its original artist never intended to give it the kind of purpose that’s given it a notorious unstoppable life inside and outside of social media.
“In boot camp, we used to every night we had to say–before we went to bed, we’d have to sing the Marine Corps Hymn, and laying at attention in bed,we’d sing the Marine Corps Hymn, and then we’d say,”Another day in the Corps, sir, for every day’s a holiday and every meal’s a feast. Pray for war. Pray for war. God bless the Marine Corps. God bless my drill instructors. Pray for war.” And every night we had to say that, and when we’d run and we’d sing songs, we’d sing, like, they’d say, “Kill, kill, kill.” And when we–at our–at judo practice and knife fighting practice and bayonet fighting practice it was always, that was the yell: “Kill, kill, kill.”’
Rachel Lears’ political documentary “Knock Down the House” might appear to be a documentary exploring the campaigns of a group of women that sought to win positions in the House in Washington, but deep down it’s about hope. For too long, America has been convinced that frankly only established politicians and those within inner circles can claim positions of power. “Knock Down the House” shows how four women rose from obscurity to shake up the government, and how Alexandria Ocasio Cortez rightfully won her position as congresswoman.
In the US (and other countries), when mass casualties happen, people and organization plan the payouts and how much each person gets. This person often times, in the biggest cases, is US attorney Ken Feinberg. Playing God is a documentary about him and his life, working on some of the toughest cases in the country including 9/11, the BP oil spill, and a case of pension funds being taken away. Through the film, his persona is slowly shed to reveal the man behind the cases, making him more human and more relatable.
BOOTLEG FILES 586: “Another Nice Mess” (1972 comedy film starring Rich Little).
LAST SEEN: It is on YouTube.
AMERICAN HOME VIDEO: None.
REASON FOR BOOTLEG STATUS: Even the film’s producers admitted it stank.
CHANCES OF SEEING A COMMERCIAL DVD RELEASE: Unlikely.
Humorist Leo Rosten once commented, “Satire is focused bitterness.” It is hard to find a more accurate description of satire – and in view of today’s surplus of Alt-Left comedians going out of their way to denigrate the president and his family, the level of bitterness has become hopelessly poisoned.
Originally released in 1981, The Killing of America is a “documentary of the decline of America.” The film is a collection of news footage and interviews about violent events that have happened in the United States up until the murder of John Lennon in Manhattan in 1980 and the violence at the gatherings following his death.
If you’re an independent artist, aspiring web celebrity, hoping to start a web show, or want to just talk about movies and want to seek your career through youtube, this video requires your immediate attention. Fair Use is under attack, and studios are attacking free speech as you read this.
If this hasn’t affected you yet, it will soon.
You can’t just put any band on a film and expect laughs. And chemistry and appeal. That’s what happened to “Spice World.”
The directors and creators behind it seemed to basically assume, “Hell, this band is popular, they’re a pop band, they have massive appeal with the male audience, they make catchy music, and they’re British, so they’ll be perfect equivalents to The Beatles.”
And… well… if you saw the movie, you’ll know that the logic behind that theory was slightly eschew.