Set in the near future, a mother and her young child must find their way to a place where they can survive following environmental events that have led to a near apocalypse.
Tag Archives: Post Apocalypse
Bad Movie Monday: Zardoz (1974)
John Boorman’s oft-maligned film Zardoz celebrated it’s 50th anniversary on February 6th. Which made me curious to reread what I’d said about it in my review for Cinema-Crazed. I have this terrible memory you see, and I just couldn’t quite remember anything specific that I wrote, but I was absolutely 100% sure I must have written something interesting. So, I began to do a search on the site and, after finding nothing, I double and then triple and then quadruple checked. Nothing. It was then that I realized to my utter dismay and embarrassment that Mr. Dumbass (That’s me!) had never written a review. I had thought about it, bounced ideas in my head, had long debates with myself, but I never actually, you know… WROTE THE GOD DAMN THING. Today, that’s going to change.
BAD MOVIE MONDAY: A BOY AND HIS DOG (1975)
It’s a bit of a misconception about me to say that I hate modern movies and have a particular loathing reserved towards the superhero genre. I do not. Well, not exactly anyway. What has happened is that I’ve grown extremely weary of films that are written in this very mundane “Screenwriting 101” style. Almost every movie made these days is about a hero’s journey or a redemption arc or some sort of variation on a theme outlined in SAVE THE CAT! Which is a book about screenwriting that Hollywood seems to treat like it’s the Holy Bible of Cinema.
This is why I really respect a movie like A BOY AND HIS DOG. If nothing else, it’s definitely not formulaic.
“Twisted Metal” is a Wild Ride, Flaws and All
There was just something so appealing about playing “Twisted Metal” as a kid. I fondly remember when it first came out on Playstation in 1995 and was hooked. When we got our first Playstation we played “Twisted Metal” for hours, finding new ways to eviscerate our opponents and win the battles. For those that have never had the pleasure, “Twisted Metal” is a based on an all out free for all battle video game where you man one of multiple armed vehicles in an attempt to come out the victor. The big bad of the game you’d have to ultimately face off against was the armed Ice Cream car with the clown on top called “Sweet Tooth.” There was always room for “Twisted Metal” to become something of a live action property, but now that video game movies are on the verge of become hotter than ever, it seemed like the right time for an adaptation.
Tales from the Apocalypse (2023)
I’m shocked at how great “Tales from the Apocalypse” was, and I say that as someone that loves a good apocalyptic yarn here and there. While I wouldn’t be quick to compare it to “Trick r Treat” as the premise has explained, it manages to stand on its own two feet as great anthology filled with five great science fiction shorts obvious influenced by the likes of Ray Bradbury, Rod Serling, and Richard Matheson. I’m also glad a lot of the shorts picked for this film aren’t the usual tired tropes, but aim for something so much more meaningful and thought provoking.
Five Movies You Can Watch if you Loved “The Last of Us”
If you’ve been following “The Last of Us” for the last nine weeks, the new series based on the hit video game has become a smash hit for HBO. The apocalyptic horror drama has filled the hole that “The Walking Dead” left behind as a taut, gripping, and excellent look at humanity at the end of the world. While we anxiously wait for season two of “The Last of Us” to arrive, here are five movies you can watch to keep you satisfied.
What was your favorite episode of “The Last of Us” season one?
The Park (2023)
This is one of the first times I went in to a movie without getting what I expected, and coming out of it satisfied. “The Park” is not a movie that necessarily breaks the mold, but it works within its simplistic and small budget and cast to create something of substance. While most dystopian movies opt for “Apocalypse Porn,” Director-Writer Shal Ngo opts instead to use the end of the world as an allegory for growing up.