Neon Genesis Evangelion: The Complete Series [Blu-Ray]

Hideaki Anno’s “Neon Genesis Evangelion” is one of the most iconic and influential anime series ever created. While it hasn’t endured a long shelf life like, say, “One Piece,” its elements can be found in much of pop culture. Particularly, it can be found in Western pop culture from children’s animated series to right up to cinema. While I’ve never been big on this kind of anime before, sitting through “Neon Genesis Evangelion” was a unique and entertaining experience.

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TV on DVD: Warner Archive’s Complete Series

I’m a big fan of “Josie and the Pussycats.” I think the theme song one of the most raucously entertaining themes ever made, while the cartoon is one of the better byproducts of the “Scooby Doo” influence. Hoping to continue the series, Hanna Barbera took their franchise to the more obvious setting: Space! And they branched out in to orbit with Josie and the Pussycats in Outer Space: The Complete Series, now on Blu-Ray.

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The Reliant (2019)

“The Reliant” is that movie you watch when you thought that 1984’s “Red Dawn” wasn’t jingoistic enough and well–just didn’t preach enough about the love for guns and God, dagnabit. What we get is post-apocalyptic clap trap where a group of wholesome, blonde, upper class, white kids and their guns survive an economic collapse as they are relentlessly hunted by evil, gun toting atheists. “The Reliant” is based on a book that is perfect fodder for Kevin Sorbo and his increasing library of movies that preach about Christianity, and the danger of not being Christian.

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Riot Girls (2019) [Fantasia Festival 2019]

I wasn’t too interested in the premise of “Riot Girls” upon first glance, but it inevitably won me over with its execution and I came to appreciate (and kind of love) how fun and unique it was. The whole idea of high school cliques becoming the tribes of the post-apocalypse is rife for satire, and Jovanka Vuckovic has a great time with her concept. “Riot Girls” is both a teen drama comedy, and a fun bit of post apocalyptic fodder that you could easily digest right down to the last bite. I loved the whole punk rock, pulp comic book aesthetic, and the way it embraces its fantasy trappings like “The Warriors” did long ago.

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What Still Remains (2018)

I’ll admit again and again that post apocalypse movies are my sweet spot in regards to genre cinema. I eat movies about survival after the end of the world with a spoon and am hardly ever let down. “What Still Remains” as far as its concerned is fairly standard post apocalyptic fare. It by no means re-invents the wheel with its narrative and characters, but at times it doesn’t seem like director and writer Josh Mendoza is trying to. In the end I was more impressed by what Mendoza does with his lead heroine more than anything, and I’d love to see Ana return once again in another movie of this ilk.

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The Domestics (2018)

It’s the end of the world as we know it, and every single surviving human has broken up in to fractions, mini-societies, and tribes that delight in murder of others, and survival of the fittest. “The Domestics” is “The Purge,” meets “Red Dawn,” meets “Mad Max,” meets “The Warriors,” with a dash of “It’s a Mad, Mad, Mad, Mad World” for good measure. Let’s face it, at the end of the day its pure blissful, loony post apocalyptic movie porn and hot damn if I didn’t love every single minute of it from beginning to end.

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