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Monkey Business (1931)

While the majority of film scholars will hail “Duck Soup” and “A Night at the Opera” as the best of the Marx Brothers movies, my go-to Marx mayhem is their 1931 “Monkey Business.” Part of my devotion is emotional – this was the first Marx film I saw, back when I was around 10 years old and WNEW-TV Channel 5 in New York City would broadcast the film. And part of my devotion is intellectual – I genuinely believe it is the crazy siblings’ best film.
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The Bootleg Files: Hey, Nanny Nanny

BOOTLEG FILES 817: “Hey, Nanny Nanny” (1933 short starring Clark and McCullough).

LAST SEEN: On YouTube.

AMERICAN HOME VIDEO: None.

REASON FOR BOOTLEG STATUS: It fell through the cracks.

CHANCES OF SEEING A COMMERCIAL DVD RELEASE:
Not likely.

Question: What is the funniest movie that you never saw? The answer could be “Hey, Nanny Nanny,” a 1933 short starring the comedy team of Bobby Clark and McCullough.
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The Bootleg Files: Summer Daze

BOOTLEG FILES 783: “Summer Daze” (1932 short comedy starring Karl Dane and George K. Arthur).

LAST SEEN: On YouTube.

AMERICAN HOME VIDEO: None.

REASON FOR BOOTLEG STATUS: A film that fell through the cracks.

CHANCES OF SEEING A COMMERCIAL DVD RELEASE: Unlikely.

In 1926, Metro-Goldwyn-Mayer cast two of its character actors, Karl Dane and George K. Arthur, in comic relief supporting roles in the film “Bardelys the Magnificent.” The actors were not teamed for this production, but someone in the studio came up with the idea of pairing the tall and gangly Dane with the diminutive Arthur in an Army comedy called “Rookies,” which was released to great popularity in 1927.
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The Bootleg Files: Circus Capers

BOOTLEG FILES 755: “Circus Capers” (1930 animated short).

LAST SEEN: On YouTube.

AMERICAN HOME VIDEO: On public domain labels.

REASON FOR BOOTLEG STATUS: A copyright infringement lawsuit, coupled by a lapsed copyright on the film.

CHANCES OF SEEING A COMMERCIAL DVD RELEASE: Hopefully not.

Everyone’s heard of Mickey and Minnie Mouse, but did you ever hear about Milton and Rita Mouse? If not, that’s because Walt Disney heard about them first and put a stop to them before they caught on with the public.
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10 Films That Should Be on the National Film Registry

Earlier this week, the Library of Congress announced its annual additions to the National Film Registry. This year, unfortunately, the choices smelled of woke politics – there were a glut of obscure and, quite frankly, unworthy films that were only included because they were not directed by white men – coupled with some cheesy popcorn flicks that fell far short of the “culturally, historically, or aesthetically significant films” definition that is supposed to be Registry’s judging criteria.

Rather than pick apart each dismal selection on this year’s Registry, here is an attempt to talk up some far more deserving titles for consideration in the 2021 slate. In chronological order, here are 10 films that should be on the National Film Registry.

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The Bootleg Files: Bedlam of Beards

BOOTLEG FILES 700: “Bedlam of Beards” (1934 short starring Bobby Clark and Paul McCullough).

LAST SEEN: On YouTube.

AMERICAN HOME VIDEO: None.

REASON FOR BOOTLEG STATUS: There is no great commercial interest in restoring the Clark and McCullough films.

CHANCES OF SEEING A COMMERCIAL DVD RELEASE: Not likely.

This column marks the 700th entry in The Bootleg Files series, which ran from 2003 to 2015 on Film Threat and came over to Cinema Crazed in 2017. I would like to take this moment to thank Cinema Crazed’s publisher and editor Felix Vasquez Jr. for having this column here on the site and to thank the longtime readers of The Bootleg Files who have offered invaluable comments, recommendations and support for my work.
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The Bootleg Files: So This is Africa

BOOTLEG FILES 670: “So This is Africa” (1933 comedy starring Bert Wheeler and Robert Woolsey).

LAST SEEN: On YouTube.

AMERICAN HOME VIDEO: None.

REASON FOR BOOTLEG STATUS: No perceived commercial value.

CHANCES OF SEEING A COMMERCIAL DVD RELEASE: Not likely at this time.

It is a common misconception that the Pre-Code Hollywood era was a period when almost anything was possible on the screen. And while the implementation of the 1934 establishment of the Production Code Administration brought a heavy-handed degree of censorship to film production, there was plenty of censorship going on at both a national, state and city level.
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