post

The Bootleg Files: Confederate Honey

BOOTLEG FILES 667: “Confederate Honey” (1940 Warner Bros. animated short).

LAST SEEN: On DailyMotion.com

AMERICAN HOME VIDEO: On LaserDisc and in an edited DVD release.

REASON FOR BOOTLEG STATUS: Politically incorrect content.

CHANCES OF SEEING A COMMERCIAL DVD RELEASE: Not in its original uncut form.

During the past few years, there has been an uncommon degree of attention paid to the Confederate States of America, which died in 1865 at the end of the Civil War. On one side, a new wave of white racists is flying the Confederate flag at rallies where they spout their idiotic hatred. On the other side, left-wing revisionists are spending their time demanding the removal of statues of Confederate generals and the renaming of schools and streets named for the military leaders of that long-deceased secessionist nation.

Continue reading

post

The Bootleg Files: Minstrel Days

BOOTLEG FILES 639: “Minstrel Days” (1941 musical short film starring Bud Jamison and Willie Best).

LAST SEEN: On YouTube.

AMERICAN HOME VIDEO: None.

REASON FOR BOOTLEG STATUS: This is one film that Warner Bros. is not eager to re-release.

CHANCES OF SEEING A COMMERCIAL DVD RELEASE: Really?

Earlier this week, Starbucks closed down its U.S. cafés for an afternoon and gave its workforce a training session in racial tolerance. Several short films were shown to the Starbucks team that highlighted the insensitive treatment that many African-Americans experience in public spaces and retail settings.
Continue reading

post

The Bootleg Files: Angel Puss

BOOTLEG FILES 609: “Angel Puss” (1944 Looney Tunes cartoon directed by Chuck Jones).

LAST SEEN: The cartoon can be found on DailyMotion.com and Vimeo.

AMERICAN HOME VIDEO: None.

REASON FOR BOOTLEG STATUS: It has been removed from all commercial channels.

CHANCES OF SEEING A COMMERCIAL DVD RELEASE: Unlikely.

When you think of family-friendly entertainment, it is not likely that you would consider productions full of attempted murder, emotional torture and racial intolerance. Back in 1944, the cartoon “Angel Puss” incorporated those unfortunate elements into its story – and even in that distant era, its excessive unpleasantness created controversy.

Continue reading

post

The Bootleg Files: Fantasia – The Censored Centaurs

BOOTLEG FILES 599: “Fantasia – The Censored Centaurs” (deleted characters from Disney’s 1940 masterwork).

LAST SEEN: It is on YouTube.

AMERICAN HOME VIDEO: None.

REASON FOR BOOTLEG STATUS: Racially motivated humor that the Mouse Factory does not want you to see.

CHANCES OF SEEING A COMMERCIAL DVD RELEASE: Oh, Lawdy!

In many ways, Walt Disney was way ahead of his times: his pioneering work in sound and color animation set new standards for filmmaking, and his genius for merchandising laid the foundation for contemporary Hollywood’s marketing machinery.

Continue reading

Skinhead Requiem (2013)

skinhead-reqDirector Jason Victor Everett’s short dramatic thriller “Skinhead Requiem” is a powerful and compelling short look at two men on the cusp of realization in their lives that they will take with them to their graves. Director Jason Victor Everett takes a startling transformation as the ultimate extremist skinhead, while the legendary Tom Noonan plays a priest speaking with him as he prepares to leave for his execution.

Continue reading

Ooga Booga (2013)

I’m not sure why, but “Ooga Booga” is apparently in the same universe as “Zombies vs. Strippers.” Not only is the strip club mentioned in passing, but Charles Band shoe horns the woefully unfunny and poorly created recurring character Hambo, a dysfunctional children’s show host in to the movie for reasons I can’t possibly fathom. Perhaps these last two films have been produced by the same person who feels the need to jump start their own Hambo movie somewhere in the future, I can only imagine. This isn’t the first time Charles Band has indicated these movies are all in the same universe, but I’m shocked that Band and Full Moon would rely on a recurring character like Hambo. I’d far more expect Full Moon to create a more enigmatic and interesting character to appear in their films to bridge stories from time to time than a perverted clown with a pig nose who hosts a kids’ show. But lo and behold, that’s what “Ooga Booga” feeds us.

Continue reading