You Have to See This! Cool World (1992)

“Sweetheart, I’m the biggest ripped-off cartoonist in the history of the world, and that’s all I’m going to say.” – Ralph Bakshi

Ralph Bakshi’s “Cool World” is a movie without a specific audience in mind, and doesn’t seem to know who it’s appealing to. It’s too dark and adult to be considered another “Who Framed Roger Rabbit?” and much too juvenile to be taken as an adult film. I vividly remember collecting comic books as a kid and seeing full page ads for “Cool World” in every single issue I bought, and yet the movie clearly was not intended for a nine year old, and was too underground for teenagers. In a decade where everyone was trying to be Disney, I doubt many audiences were in the market for a dark erotic animated neo-noir satire involving an animated seductress trying to have sex with her creator so she can become a human.

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Our Top 5 Childhood Animated Crushes

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Valentine’s Day is this Friday, folks. In celebration of the day that reminds a lot of people that they’re single, and forces a lot of people to buy presents for their loved ones out of sheer obligation, we’re featuring five animated characters from our childhood that we crushed on for many years. They stemmed from television, movies, or perhaps video games, and they’re five animated women we were definitely fond of and swooned over for a long time.

What animated characters did you crush hard on? Let us know!

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The Butter Battle Book (1989)

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Dr. Seuss was one of the few children’s authors who did much more than rhyme brilliantly and tell stories about the Who’s at Whoville celebrating Christmas. And even then when you thought he was just telling you a story about a village celebrating Christmas, he was more commenting on the consumerism of Christmas, and how these villagers didn’t need all the materialism behind it after all. Dr. Seuss spent a good portion of his life writing and drawing political cartoons and ninety percent of the iconic characters in his stories were originally born from his political cartoons and years later when he ventured in to telling stories to kids about Cats in Hats, he was telling us much more about himself and providing a moral.

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American Pop (1981)

Ralph Bakshi’s “American Pop” is not so much about a story as it is about music and the power it holds. As trite as it is to say, Music is the soundtrack of our lives, and as such has a power over us to help us cope, help us think, and is the key to our memories and fates. “American Pop” is not so much the story of many men through history originating from a faithful Jewish man who refused to vacate his temple during the raiding of Russian Czars one day, it’s more the evolution of music and how the people in and around the transformation are but a mere microcosm. From a Canter to a Vaudevillian, to a piano player, “American Pop” may be the exploration of music but Bakshi also manages to convey how it’s served as a source of love and emotion for a long line of men craving some sort of love and affection in their lives.

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