The Mission (2023)

Director Jesse Moss and Amanda McBaine’s Nat Geo film “The Mission” is one of the most frustrating movies of the year. It’s a documentary that tip toes through its subject matter to its detriment, and avoids the outright reality of a situation that should have never happened and a life that should have never been taken. In 2018 American missionary John Chau was murdered in an illegal expedition to preach his religion to the isolated village of the Sentinelese tribe off the coast of India.

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Women Talking (2022)

“What follows is an act of female imagination.”

Sarah Polley has always been a wonderful actress who turned in to an Oscar worthy director. It’s just a shame she’s yet to be recognized as one by the Academy. “Women Talking” is a potent indictment of modern civilization where women are gradually losing not only bodily autonomy, but the clear power to punish those that do harm to their bodies. “Women Talking” and its release does not seem like an accident, as Polley, a staunch activist manages to create a very tense tale of women grappling with their duties to themselves, their community, and their faith.

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The Pope’s Exorcist (2023)

It feels a lot like the studios behind “The Pope’s Exorcist” is intent, or at least trying, to build a new horror hero in the vein of the Warrens a la “The Conjuring.” While normally I would never root for a film to fail, I hope we don’t get any sequels because I can’t picture Gabriele Amorth being a dynamic or even compelling horror protagonist. Even with his first film, Gabriele Amorth is explored as a massively skeptical priest pulled in to an extraordinary and genuine exorcism. There really isn’t much beyond what we learn about Gabriele Emorth or “The Pope’s Exorcist” for that matter.

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Padmavyuha (2020)

Raj Krishna is a fantastic director, one who has promise to bring audiences entertainment with substance. While I’m never a big fan of films about religion and affirming religion, it’s a good change of pace to see a film like “Padmavyuha” that explore the complex and unique dimensions of Hinduism and how a man struggles with his core beliefs and his all encompassing faith.

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The Reliant (2019)

“The Reliant” is that movie you watch when you thought that 1984’s “Red Dawn” wasn’t jingoistic enough and well–just didn’t preach enough about the love for guns and God, dagnabit. What we get is post-apocalyptic clap trap where a group of wholesome, blonde, upper class, white kids and their guns survive an economic collapse as they are relentlessly hunted by evil, gun toting atheists. “The Reliant” is based on a book that is perfect fodder for Kevin Sorbo and his increasing library of movies that preach about Christianity, and the danger of not being Christian.

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Häxan (Häxan: Witchcraft Through the Ages) (1922): Criterion Collection [Blu-Ray]

A hybrid of documentary and fiction, this silent film explores the history of witchcraft, demonology and satanism. It shows representations of evil in a variety of ancient and medieval artworks, offers vignettes illustrating a number of superstitious practices and presents a narrative about the persecution of a woman accused of witchcraft. The film ends by suggesting that the modern science of psychology offers important insight into the beliefs and practices of the past.

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Let There Be Light (2017)

At this point in time, Kevin Sorbo had better learn to direct a movie and quickly, because the only tools he has in his disposal are the fact he was in the show about the bare chested demigod. No, not that one. You know—uh—the one that began the even better show “Xena”? It even spawned a prequel with Ryan Gosling who is ten times the actor Sorbo ever was. Right, that one! Anyway, Kevin Sorbo continues sapping what little star power he has left, alongside other hardcore Christian in what is essentially yet another chapter in the ongoing film series “Atheists and Muslims are evil, Christians are Wonderful.”

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