I’ve been a fan of Paddy Considine’s since I saw him in his utterly frightening performance as a mentally imbalanced recluse in “A Room for Romeo Brass.” I also loved him in the schmaltzy albeit well-intentioned family drama in “In America,” and he flexes his keen ability to be both menacing and vulnerable with Shane Meadows’ “Dead Man’s Shoes”. Meadows’ revenge thriller is a very visceral revenge film that delves in the fall out from the breaking of a cardinal rule: Don’t ever fuck with a man’s family.
Black Adam was created was created in 1945 by Otto Binder and C. C. Beck, and first appeared in the debut issue of Fawcett Comics’ The Marvel Family comic book. When he was bought by DC Comics, he remained mostly a third tier super villain, appearing every now and then as an adversary to “Shazam!.” Because, that was what was supposed to be his purpose; He was supposed to be the anti-Shazam, the villainous magic wielder that constantly did battle with Billy Batson.
Since Christmas was yesterday, Happy Holidays to all of you out there in internet land by the way, I’ve chosen the immortal classic Silent Night Deadly Night 2 for BAD MOVIE MONDAY. Kind of as my gift to everyone who bothers to read this silly little column. It’s my way of both thanking you for listening to the insane ramblings of my diseased brain and of introducing you to the Silent Night, Deadly Night series of films. A series that I feel is rather unique by the fact that every entry goes more and more off the rails as it progresses. Parts 3, 4 and 5 get REALLY wild, but that’s for another time Continue reading
I would have bet anyone a thousand dollars that 1972’s SILENT NIGHT, BLOODY NIGHT directed by Theodore Gershuny had been renamed to its current title for a home video release around 1984 in order to cash in on the then new Silent Night, Deadly Night, and I would have lost that bet. “The film was given a limited release in the United States under the title Night of the Full Dark Moon through Cannon Films, beginning November 17, 1972. It was subsequently released as Silent Night, Bloody Night in the spring of 1973 and continued to screen under this title through December 1973.”
Following a major score in a heist, Nick sees his crew turn on him and leave him for dead. As the stakes are high for him and his daughter, Nick races to find the culprits and get his score back.
A decade after disappearing, a man comes home to get revenge on those who wronged him.
“The Batman” is a sure bet for Warner Bros. Don’t get me wrong, it’s a very good movie, but with their development department scrambling on one single vision for their DCEU, rebooting Batman yet again, just makes sense. It rebuilds confidence (borrowed time) in their brand, and it guarantees moolah in the box office. It’s cynical but now we have three cinematic jokers, two live action Batmans, and a new movie fans are going to spend the next year wondering where it fits in to the timeline.
When Alice reaches her breaking point for the last time, she runs from the plantation on which she has been a slave her entire life. When she reaches the furthest tree line, she discovers there is much more to the world that was hidden from her than she could ever have thought.