I’m surprised with how much I enjoyed “Blood Relatives,” since it’s not so much a horror film, as it is more of a road trip drama comedy about two vampires. That’s not meant to disparage “Blood Relatives” at all, I found Noah Segan’s horror comedy to be quite good and a very engaging tale about a father and daughter learning to love one another and bond. What makes their dynamic even more difficult is that they have the whole vampire thing wedging between them, which amounts to considerable dramatic tension. Thankfully none of the dynamic ever really feels forced, as Noah Segan and Natalie Moroles have great chemistry.
Tag Archives: Road Trip
STRAIN 100 (2020)
If you like your apocalyptic fiction compiled a lot of the same old tropes you’ve seen a thousand times, then “Strain 100” might be up your alley. It’s “The Walking Dead” with a convenient dash of “The Last Of Us” thrown in, and none of the real social commentary or rich character focus. For all intents and purposes, “Strain 100” has some good ideas and fun moments of zombie carnage, but it’s bogged down by so many editing and writing problems from the outset. The zombies are pretty much the best aspect of the movie, truth be told.
Touch Me in the Morning (2006)
Giuseppe Andrews’ “Touch Me in the Morning” is comprised of mainly a man throwing a lot of camera errors towards the audience presenting it as arthouse chic. It watches like a pointless exercise towards the audiences’ attention span. The dialogue rambles endlessly (most times I had to turn up my volume to hear any dialogue), the narrative is almost non-existent, and there are a myriad odd and incredibly mind-numbing musical numbers that aren’t catchy or fun.
Echoes of Violence (2021) [CineQuest 2021]
Random Acts of Violence (2021)
I’m a big fan of Jay Baruchel (the actor), and as director of “Random Acts of Violence,” his adaptation of the original graphic novel by Jimmy Palmiotti wastes so much of its potential. It’s a great concept, with great commentary that amounts to a sub-par horror movie. The still relevant themes about how society tends to lionize serial killers, the unusual serial killer culture that most people tend to celebrate, and how most of their victims are virtually ignored begs for a dark horror movie of this ilk. Sadly, there is not a single substantial thing we can take away from all of this in the end.
Uncle Peckerhead (2020)
Director Matthew John Lawrence’s horror rock comedy is probably one of the best films about the punk rock experience since “The Green Room.” While nowhere near as dark as the aforementioned film, it’s a movie with a silly title that is shockingly complex, heartfelt and injected with a sharp message about how if you’re willing to do “anything” to make it big, it can come back to haunt you. While the title might be something of a turn off to some, “Uncle Peckerhead” really packs in so much heart and genuine characterization.
Borat Subsequent Moviefilm: Delivery of Prodigious Bribe to American Regime for Make Benefit Once Glorious Nation of Kazakhstan (2020)
Sasha Baron Cohen has remained one of the most scornful critics of the modern American political scene and has taken to destroying the status quo whenever possible. He’s been especially vicious in 2020 with his incredibly controversial “Who is America?” limited series, which he then follows up with the “Borat” sequel. This movie is not at all a cash grab, if fans were worried, it’s instead yet another case of Cohen pulling down the curtain in an America most of us doesn’t know exists. Or at least likes to pretend doesn’t exist.