House of 1000 Corpses (2003): 20th Anniversary Edition [SteelBook] [Blu-ray/Digital]

Rob Zombie making his own horror films was only a matter of time. The rocker turned filmmaker has always implemented horror movies in to his music and general content, so “House of 1,000 Corpses” is a culmination of all that creativity. Suffice to say I wouldn’t particularly call “House of 1,000 Corpses” a masterpiece. It’s rough around the edges, and often times feels like a film school project more than a feature film. But there’s no denying Zombie has a real love for horror. Even more he has a real love for the characters he’s created, all of whom are a beautiful hodgepodge of various pop culture facets.

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The Munsters (2022)

I’ve always fancied myself more of an “Addams Family” fan but I have great respect for the “Munsters” franchise. It’s a shame that Rob Zombie, the professed horror fan has so oddly botched his one attempt at reviving the “Munsters.” Zombie has the golden opportunity to really reinvigorate the Munsters for a new generation and drops the ball for what I can only describe as a disaster of a reboot.

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Five More Great Latinx Horror Movie Heroes

October is my favorite month of the year. While it is the month where we get to celebrate Halloween, it’s also National Hispanic Heritage Month. I’ve been on a quest lately to find Hispanic and or Latin heroes and heroines from various movies and I thought it just the right time to introduce part two of my original list of Five Great Latinx Horror Movie Heroes.

It was tough to find some great characters in a genre mostly reserved for Caucasian characters, but overall I think it’s a great way to ring in both occasions.

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3 From Hell (2019)

I don’t know what you can chalk it up to. Maybe it was the unfortunate illness of the late great Sid Haig that caused Rob Zombie to re-write a lot of “3 From Hell.” Or maybe he just didn’t know where to take his characters next. For a movie that takes great pains to explaining in detail how and why the Firefly Clan survived, it’s disappointing when “3 From Hell” does absolutely nothing new with them. Rob Zombie has a lot of windows to basically re-invent his characters and present some kind of social commentary, but in the end it’s just Zombie treading water with middling results.

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Hooray for Captain Spaulding

Goddamn, motherfucker got blood all over my best clown suit.

The first time I was exposed to Sid Haig was in “House of 1,000 Corpses.”

I regret to admit that it’s really the first time I’d ever seen Haig, and it was quite the introduction to such an enormous cinematic presence that was in over a hundred films and television projects. Say what you want about Rob Zombie’s cinematic outputs, but one of his crowning achievements is the creation of Captain Spaulding. Thanks in no small part to Sid Haig’s immense performance, Captain Spaulding is one of the banner modern horror villains that pretty much grabs the spotlight every single time he’s on screen in “House” and “The Devil’s Rejects” and yet it’s still never enough.

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3 From Hell (2019)

The third installment in the Devil’s Reject trilogy (or the House of 1000 Corpses trilogy?), 3 From Hell picks up from where The Devil’s Rejects left off and makes sense of connecting that ending with making a third film. Here the Rejects escape jail and go on the run until bad people catch up with them. Who’s the worst bad guy and best killer? It’s up the audience to decide.

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31 (2016)

31-2016It’s amazing how a man like Rob Zombie who fancies himself a hardcore horror fan has done little to evolve since his first film “House of 1,000 Corpses.” Every film he’s made since that initial movie has repeated the same beats over and over, just re-arranged in various ways to look new and original. He fills the screen with genre veterans again. He inexplicably sets his movie in a mid-seventies gritty trailer park landscape. The opening of his film is directed by a goofy music video, padding the run time, and he even includes something of a montage with our characters, set to classic rock music as we saw in the finale of “The Devil’s Rejects.” Worst of all, he writes some of the clunkiest dialogue I’ve ever heard, and he is still dead set on placing wife Sheri Moon Zombie front and center.

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