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Too Harsh on Horner: A Reappraisal of the Films of Robert J. Horner

Throughout history, the brandishing of “worst film director of all time” has been bandied about so often that it has lost value. One of the more notorious examples is Edward D. Wood, Jr., the powerhouse schlockmeister behind such turgid affairs as Plan 9 from Outer Space and Bride of the Monster. Wood’s films are a tour de force of poor editing, direction, acting and special effects. However, Wood at least gave the impression that he genuinely wanted to produce a quality product.

From the other side of the tracks and a much different time was the little known, but nevertheless intriguing director of “B” western dramas, Robert J. Horner. Horner was a producer and director of cheap horse operas who operated on Hollywood’s “Poverty Row,” a group of independent producers and studios whose primary source of income was made from cheap westerns, horror pictures and mystery films from the silent era until the collapse of the studio system in the mid-1950’s.
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Western Wednesdays: The Apache Kid’s Escape (1930)

SYNOPSIS:
The Apache Kid [Jack Perrin] is being pursued by the law when he catches up with his old partner, Buck Harris [Bud Osborne], and tells him that he wants to give up his life of crime. He receives a letter from his sister, Jean, asking him to return home to help care for their ailing mother. The Kid and Buck engage in a fistfight and the Kid takes off. The Sheriff catches up with Harris, who agrees to assist the sheriff track down Apache. The kid rides at breakneck speed, right off a cliff in to a massive body of water.
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