The Day the Music Died: The Story of Don McLean’s American Pie (2022)

“And do you believe in rock and roll? Can music save your mortal soul?”

 Director Mark Moormann’s documentary is probably one of the more interesting stories about one of the most important, if not the most important rock and roll song ever made. Don McLean’s epic ode to “The Day the Music Died” is a compelling rock epic that bemoans the end of a more innocent time in rock music. This is not only a time where three titans of rock and roll perished in a tragic crash, but it also seemingly ushered in a wave of events that began to change America and society.

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Woodstock 99: Peace, Love, And Rage (2021)

Maybe it’s time to—I don’t know—stop hosting Woodstock? I don’t know, while the original concert was something, as the documentary accurately explains, romanticized, it was also a disaster. It also acted as a means for a whole generation to blow off steam and wreak havoc. 1999’s “Woodstock” which ushered millennials in to a new century ended up not just as pure chaos and mayhem, but it indicated that new generation were just getting fed up with the boomer generation. Not to say that those that were involved in the massive riot and incident at the 1999 Woodstock concert were justified, but were coming off a tumultuous decade.

Not only did we have to deal with wars and recessions, and the implosion of idols like Bill Clinton and OJ Simpson, but we ended it all on a massive school shooting that foreshadowed darker times.

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Nightclubbing: The Birth of Punk Rock in NYC (2022)

“Max’s was where punk was a movement; CBGB’s is where you went to get a record deal.”

I’ll admit that while I’m very well versed in the history of rock and roll, I almost never heard of Max’s Kansas City. I always heard about CBGB’s throughout my life, but almost never heard about Max’s Kansas City. The club was known as the premiere scene for not just rock and roll stars, but movie stars, celebrities, tabloid makers, and anyone that the alternative scene could produce. There’s a very fascinating story behind Max’s Kansas City and how it set the template for the punk rock scene, but never really got the credit it deserved. All the while CBGB’s was almost universally heralded.

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The History of Metal and Horror (2022)

It should serve as no surprise that heavy metal and horror go hand in hand. If there’s horror there’s bound to be a heavy metal fan. If there’s heavy metal, you’re sure to come across at least a dozen hardcore horror geeks. But why do the music and the genre work so well together? Mike Schiff’s documentary “The History of Metal and Horror” is a great look at the history of the genre and the roots of heavy metal that are deeply embedded in the roots of horror. Schiff leaves no stone unturned going back to medieval times and dropping us right down in to modern times.

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Living Hardcore: “School of Rock” at 20

One of the reasons I’ve been such a rabid fan of Richard Linklater over the years is that he’s able to jump back and forth between excellent indie films, to accessible mainstream films. It’s amazing that the same man that gave us the cerebral existential masterpiece “Waking Life” is the same guy that gave us the rock and roll classic “School of Rock.” Linklater’s family comedy is not just a musical gem, but also one that manages to appeal to the genius of classic rock.

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Tokyo Pop (1988)

Opens with a New 35th Anniversary 4K Restoration by Indie Collect in New York at BAM Rose Cinemas on August 4th and in Los Angeles at the American Cinematheque on August 11th, followed by national expansion.

Watching Fran Rubel Kuzui’s gave me a mysterious sense of déjà vu as her movie “Tokyo Pop” is very much about a misplaced American experiencing culture shock and alienation in an Asian country. Then I realize that Sofia Coppola pretty much conveyed almost the exact same narrative in her acclaimed “Lost in Translation.” Fran Rubel Kuzui’s “Tokyo Pop” from 1988 was an obvious influence that apparently never really was discussed very much. So much of “Tokyo Pop” is similar in tone, aesthetic and the idea of using media as a means of helping people to connect. With “Tokyo Pop” characters Wendy and Hiro use music as a means of connecting in a world where they’re separated by language and culture.

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Meet Me in the Bathroom (2023)

For years I was very keen to what was considered the last wave of rock and roll in the early aughts. I only was aware of it because MTV decided to air a lot of the more listenable brand of near rock and roll. From The Strokes, The White Stripes, The Hive, and the Yeah Yeah Yeahs, I loved all of it. But it being MTV they only scratched the surface of it all. “Meet Me In the Bathroom” is an okay documentary that has the ability to really capture a moment in time, a moment when rock and roll was really booming. It could have been a chronicle of a big final gasp for the music genre, and most times it feels like the directors left so much out, preventing it from feeling cohesive and even coherent.

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