There’s a great movie desperate to be set free with Stephen Sawchuk’s “Hell is a Teenage Girl” and sadly it’s only a pretty good movie when all is said and done. There’s so much lore and back story hinted at that the movie, at fourteen minutes, barely scratches the surface of. And we’re told that protagonist Parker is blamed for her dad being the Springsboro Slasher. But why? There are a lot of “But Why?’s” that will be spouted during the short. Although it is a neat, creative (if not wholly original) short, there’s just so much more tinkering and glossing up that needs to happen before/if a feature is ever greenlit.
Tag Archives: Short Film
The Bootleg Files: The Magic Machines
BOOTLEG FILES 872: “The Magic Machines” (Academy Award-winning short film about sculptor Robert Gilbert).
LAST SEEN: On YouTube.
AMERICAN HOME VIDEO: None.
REASON FOR BOOTLEG STATUS: It fell through the cracks.
CHANCES OF SEEING A COMMERCIAL DVD RELEASE: Unlikely.
Making a nonfiction film about a visual artist is always a tricky proposition. After all, the finished product is often a work of genius but the process of bringing it to fruition is frequently a tedious process. And truth be told, not every visual artist is a magnetic raconteur or a force of personality.
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5.7 Seconds (2024)
Premiering at the LA International Short Film Festival, Tim Aslin and Shane Cibella’s short “5.7 Seconds” is a great idea, teeming with the feeling from a movie like “28 Weeks Later.” In an undisclosed location, in an unexplained calamity, a young woman rushes in to an abandoned car and locks herself inside from stalking individuals out in the middle of the day. Distraught and panicked, she locks the doors and is shocked to discover someone else has been hiding in the car, too.
The Serena Variations (2024)
Selected to run at the 2024 Raindance Film Festival, director Warren Fischer’s “The Serena Variations” is a very powerful and dynamic look at music and the artists pursuit of perfection. Even if the perfection is personal, director Fischer peeks in to how much an artist is willing to sacrifice, even if it’s their own soul. Although a lot of the film’s setting and aesthetics are meant mainly for symbolism, the special effects and sound design still allow for an uneasy and unnerving experience.
Robbie Ain’t Right No More (2023) [Chattanooga Film Festival 2024]
Funsize Epics Vol. 2 Shorts Block
What is essentially another proof of concept short film, Kyle Perritt’s “Robbie Ain’t Right No More” is a mix of “Death Dream” and “Astronaut’s Wife.” It’s basically a horror movie but deep down it’s ripe with potential to deliver on themes about PTSD, the effects of serving in the military, and the way coming home from the war can change people. It can make them almost unrecognizable in many ways, allowing for an unusual situation.
Up on the Housetop (2024) [Chattanooga Film Festival 2024]
Funsize Epics Vol. 2 Shorts Block
Director/Writers Dakota Millett, and Michael Fischer’s horror comedy is a short begging to be made in to a feature film. It’s probably not a coincidence that “Up on the Housetop” feels a lot like a proof of concept short rather than actual short film. I honestly don’t begrudge them for that, because both creators have their fingers on the pulse of what they’re trying to accomplish and what they do accomplish in this short format.
How I Roll (2023) [Dances with Films 2024]
Brianne Berkson & Miguel Gluckster’s short documentary and biography is a charming little look at the life of Robin Cohen. Cohen spent most of her living with a sense of awareness, and once she gains MS and battles losing function of her legs, she learns how to really live her life. There’s not a ton of argument for Robin Cohen should have been spotlighted for a documentary, even a short one.