After her life hasn’t quite panned out as expected, a passionate clown turns from fun to frenzy in an attempt to join the ranks of infamous serial killers. With Halloween on the horizon, she aims to shape her own legacy while acting out her personal desires.
Upon moving to a small town, teenager Quinn meets a new friend group, along with Frendo, a murderous clown… in a cornfield in the aptly named Clown in a Cornfield.
Teenager Abbie is the daughter of a famous slasher killer. When she has to take over the “family business” she is forced to face what she wants with her life.
Interesting how things align sometimes in the film world. In the past week, three theatrical films have used the tropes of rom-coms to set up and inform their non-rom-com stories.
A high school loner considering himself the biggest fan of a rocker seems himself stuck when said rocker passes away and comes back through his music to haunt and kill.
If you were tuned into TNT on television during the holiday seasons of the 1990’s, there was a significant chance that A Christmas Story was playing. Bob Clark’s holiday classic showcased the exploits of a young boy, his comedic family, a passionate pursuit for a “Red Ryder” air rifle, and an iconic leg lamp that was sure to put a smile on any father’s face. If Bob Clark was good at anything, it was catching the spirit of the season. And if there was anything else he was good at, it was turning it upside down to make it feel cold, isolating, and foreboding. Nearly a full decade before Bob Clark would showcase a charming winter vacation, he would terrorize a sorority of young women in his holiday horror hit, Black Christmas.
A man on the run finds himself next door to a known slasher killer who makes him his new prey.