Spy Kids: Armageddon (2023)

It’s been almost fifteen years since there was a new “Spy Kids” installment and one of the last times Robert Rodriguez released a film in theaters (he’s apparently locked in to Netflix like Adam Sandler). Sadly, these days Robert Rodriguez seems more committed to delivering low budget kid accessible entertainment more than anything else, and “Spy Kids: Armageddon” allows him to kill two birds with one stone. Not only is he able to continue his line of mediocre family films, but he gets to revive his long stagnant action franchise for a new generation.

And the results are decidedly a mixed bag.

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Mission: Impossible – Dead Reckoning Part One (2023)

It’s exciting that after seven films, “Mission Impossible” still gives audiences the good old fashioned action movies that were prominent in movie theaters. Christopher McQuarrie’s treatment of the “Mission: Impossible” has never been over stylish which amplifies the old fashioned feeling of his take on Tom Cruise’s epic movie series, and I love it. There are spies, and mysteries, and chases through streets, car chases, femme fatales, a classic macguffin, and even a massive fight staged on, in, and on top of a moving train across Europe. It’s vintage adventure movie serial cinema amplified with a huge budget and some wonderful performances all around.

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F9 (2021)

The only thing worse than a bad action movie is a boring one; even with the “Fast and the Furious” series now reaching that point where it’s becoming self-aware and self-satirical, Justin Lin’s penultimate entry in to the long running movie series is terrible. I rarely see action movies with so much noise and activity that put me to sleep, but lo and behold, “F9” pulls it off. This is a movie that throws everything but the kitchen sink at audiences, bringing in the cast from “Tokyo Drift,” Helen Mirren and Kurt Russell for brief walk on roles, and jumping through hoops to explain away the big plot holes with something vaguely resembling logic.

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The Death of the Incredible Hulk (1990)

Even with the success of “Batman” a year prior, director Bill Bixby had a hard time accumulating the budget and network support for what became the final hurrah for the famed seventies series. Apparently “Death” was supposed to be a vehicle for Iron Man and She-Hulk, but the budget just didn’t allow for it. Not to mention around this time Bill Bixby received the unfortunate news that he had prostate cancer, so “Death” was ultimately a swan song for the series as a whole. It’s a mixed blessing, though, since the budget allows for this final film to give the Hulk what is a bittersweet finale. The movie isn’t at all perfect, and completely meanders in the middle of the film, but overall the final scene paired with the classic theme song is gripping and a great testament to Bill Bixby’s commitment as an actor before his untimely death.

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Nick Fury: Agent of S.H.I.E.L.D (1998)

Before the public at large were aware of Nick Fury, ABC’s long struggling “Agents of S.H.I.E.L.D” and the overall organization from the Marvel Cinematic movies, there were 1998’s “Nick Fury: Agent of S.H.I.E.L.D.” Long ago when comic book movies were still concepts and properties that studios were hesitant to touch, FOX Studios in America aired the TV movie/pilot movie to little fanfare. Said movie starred David Hasselhoff (cast by virtue of the fact that he looks like classic Nick Fury and nothing more) fresh off of “Baywatch,” and starring as the classic Nick Fury before his re-imagining in the aughts in the Samuel L. Jackson mold. The classic Col. Nick Fury was a tough and grizzled war veteran with dark hair and signature white on the sides. He also donned the trademark eye patch and cigar, leading one of the most covert and top secret organizations in the Marvel Universe.

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