After a newly promoted NBA basketball coach gets demoted back to a talent scout, he places all his bets on a young troubled Spanish baller with the potential to be a top NBA draft pick. Hustle (2022) is now available to stream on Netflix.
A group of high adrenaline seekers robbing banks has attracted the attention of the F.B.I. who sends their new recruit undercover to join the gang and help dismantle them.
It’s kind of ironic that the villain of the sequel to 1996’s “Space Jam” is named Al G. Rhythm, the physical manifestation of an algorithm who decides the fate of not just star Lebron James but of the Looney Tunes. “A New Legacy” (Or “Space Jam 2”) feels like it was directed not by a person, but a committee of people that followed algorithms about what was appealing to modern audiences, and what was “hip.” The film doubles as a two hour EPK for the HBO Max Streaming Service. “A New Legacy” premieres on the aforementioned streaming service (and theaters), so Warner takes full advantage of exploiting every single (repeat: every single) IP that they have at their disposal.
The way Roger Ebert felt toward “Bucket List” is kind of the way I feel toward “Poms.” While it is a movie that’s meant to be life affirming and celebrating old age, “Poms” watches like a patronizing, exploitative last gasp of a once excellent actress. For a movie that is meant to be fun and light hearted, “Poms” is painfully depressing while also being embarrassingly bland and silly when we get down to it. I’m all for movies that confront the idea of ageism and that nothing can hold us back from accomplishing our dreams, but “Pom” is absolutely disingenuous to its very foundation.
In the city of Juárez, Mexico, women fight every day of their lives to simply survive as the high murder and assault rates only seem to go higher. Some of them take back the power to feel like they can be fighters by becoming Luchadoras, showing strength in physical, mental, and emotional forms.
Yet another take on “Twelfth Night” (in the current onslaught of Hollywood remaking every movie), it’s not a far off idea that “She’s the Man” sneakily tends to borrow so much more from the 1985 gender switching comedy “Just One of the Guys.” While you could easily make the argument that they’re adapted from the same material thus bound to be similar, it’s undeniable during the big “reveal” in the climax.
It’s something that the aforementioned eighties movie is known for.
My love affair with writing began with competitive spelling in grade school and evolved right in to middle school where I built my obsession with telling stories. I was always fond of the Scripps spelling bee and I always sought to maybe make it there someday. But you know… puberty happened. In either case, it‘s refreshing to see films in contemporary and modern that portray spelling bees as pure sport. There are more and more movies spotlighting the mental demand of spelling from 2002’s “Spellbound” to “Bee Season,” to “Spelling the Dream.”