“The Getaway” was the film that turned me on to McQueen and introduced me to a new form of coolness, McQueen, who was a bad-ass as an action star as much he was an actor. Steve McQueen is just about larger than life in anything he was in, and with “The Getaway” he manages to elevate himself above the crime thriller, and helps Ali McGraw become his ultimate assailant in crime.
“I think if I wasn’t acting, I’d be a street hood.”
Everyone has their Steve McQueen. It’s a prevailing theme throughout the world of movie fandom, be you a man or woman, that everyone has their action icon upon which they find comfort in. It’s a common fact that there’s someone for every movie fan, and it gets weird on many occasions (Van Damne, Vin Diesel, Ben Affleck, Casper Van Dien).
My uncle loves Clint Eastwood, my brother loves Jet Li, and my dad loves Sonny Chiba. Oddly enough, everyone has their story upon which they remember first being obsessed or intrigued by said action star.
For me, there’s Steve McQueen, and I’m not overstepping my bounds in declaring that there’s never been anyone cooler than Steve McQueen. Hey, Eastwood is great, Bronson is nice, and I’m sure Chiba is incredible, and sure, you can debate that Eastwood and Bronson were better actors, and even more important to the film world, but there’s never been anyone cooler.
It’s just fact. Case closed. And you’d better not tell me otherwise.
In the eighties, Rutger Hauer was king. He was a man who managed to impress as both villain and anti-hero in many movies from the classic “The Hitcher” and “Bladerunner” to the not so classic but memorable “Blind Fury.” And as is the case, with every generation of bad asses, there’s always someone Hollywood is looking to peg as the next McQueen. “Wanted: Dead or Alive” is based on the excellent Western series starring Steve McQueen as a lone bounty hunter in the old west who travels along the land with his shot gun acquiring his next catch and teaching them lessons along the way while fighting the local bad guys. As is the case with the eighties, director Gary Sherman completely diminishes all of its period settings and sets its hero down in to modern times coating him with black leather, slicked back hair and teaming him against local terrorists as played by the tongued one Gene Simmons.