I can’t imagine saying anything about “Jaws” that hasn’t already been said by hundreds of movie buffs all around the world. It’s all at once a movie about fear of the unknown, the trauma of being controlled by our fear, and man vs nature. “Jaws” is absolutely flawless gem that worked on little resources and so many accidents that director Steven Spielberg had to literally take bruised, busted, lemons to make lemonade. “Jaws” had every potential to fail and be an infamous box office flop, but its measured tension, deliberate pacing, and ability to establish our heroes before their fateful battle on the ocean with the shark.
Tag Archives: Steven Spielberg
BAD MOVIE MONDAY: CRUEL JAWS (1995)
On today’s BAD MOVIE MONDAY review we’re going to tackle another Bruno Mattei joint. This time a Jaws rip-off called, appropriately enough, Cruel Jaws. Don’t worry though because it’s also known as Jaws 5 in some markets. Mattei didn’t get all soft on us in the 90s. He was still trying to sucker people into watching his fake sequels right up until the grunge era.
The Color Purple (1985) [4K UHD/Digital]
What with Warner Bros moving forward with their highly anticipated musical remake of Alice Walker’s 2023 musical remake of “The Color Purple,” the 4K UHD release of Steven Spielberg’s 1985 classic just made sense. With the continued push for the 4K UHD format, this re-release includes the original dramatic masterpiece on 4K UHD only. For hold outs the 1985 masterpiece arrives in a more restored and crisp picture quality. Spielberg seemed like an unusual choice to steer the adaptation of Alice Walker’s iconic novel, but his film has aged pretty well even if it has some very rough narrative choices it never quite topples.
Sharksploitation (2023)
With the anniversary of “Jaws,” Stephen Scarlata’s documentary comes at the right time, as sharksploitation has managed to experience something of a resurgence. Along with “The Meg 2” coming to theaters, we’ve also had fodder like “The Black Demon,” “The Devil’s Mouth,” “Deep Water,” and “Cocaine Shark.” So “Sharksploitation” is something of an overdue account of the creation of sharksploitation movies, and how one movie named “Jaws” created what would become a fascinating, often infamous sub-genre of action and horror movies that’s spanned decades.
Indiana Jones and the Dial of Destiny (2023)
“The Dial of Destiny” is significant not only in that it’s a movie primarily about time, but about wanting to go back in time and fix mistakes. The Indiana Jones we see here is not the Indiana Jones we saw in “Raiders of the Lost Ark” or even “The Last Crusade.” He’s older, he’s war torn, and he’s grappling with so much regret that he’s lost his passion for adventuring. When we see Indiana Jones he’s a man who has lived two full lives and he’s thrust back in to what is arguably his final adventure and it’s bittersweet.
“Gremlins: Secrets of the Mogwai” is an Exciting Introduction to the Wider “Gremlins” Universe
It’s been almost thirty five years since we saw any semblance of “Gremlins” entertainment rear its scaley head. Now in the midst of reviving old IP’s HBO and Warner take a shot on reviving Joe Dante’s classic film series. “Secrets of the Mogwai” is thankfully built very much in the vein of the classic 1984 film, and less like “The New Batch.” It’s a dark fantasy (with charming animation obviously influenced by LAIKA Studios) with a lot of harrowing action and terror, but also revels in the inherent awe and wonder of Gizmo and the concept of the Gremlins, twisted as they may be.
The Fabelmans (2022)
If you’re at all familiar with Steven Spielberg’s life story and how he related to his family, then “The Fabelmans” has been a long time coming. As someone who read his biography, it’s interesting to explore Spielberg’s home life and how his relationship with his father and mother ultimately crafted who he’d become not just as a man but as a filmmaker. While “The Fabelmans” suffers from being a tad schmaltzy here and there, it’s a worthwhile and engaging drama about family, and how film as a medium can help us view life as we’ve never seen it before.