Txotxongiloa (2022) [Film Maudit 2.0]

Director and Writer Sonia Estévez’s short stop motion film is a beautiful depiction of the life span of the normal woman and how she perceives their existence as a whole. The idea of the normal woman being depicted as some one living on strings is a fascinating bit of symbolism. Over the course of ten minutes, the animation depicts her as someone being held up by strings who seeks independence almost immediately.

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ATM (2022) [Cinequest 2024]

At three minutes in length there isn’t a ton of set up to “ATM” but it does have the particular feeling of a creepy past or SCP. The idea of a sentient ATM feels like something out of a dream but becomes a nightmare for a poor man one day. Director Ooullo’s experimental animated film is a mix of stop motion, absurdist humor and live action to form a tale about experiencing our wildest dreams and the whole idea of the sword of Damocles.

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Stopmotion (2024)

In Theaters Today before it makes its way to VOD on March 15th and then the Shudder Streaming Service on May 31st.

There’s a scene in Robert Morgan’s “Stopmotion” where protagonist Ella is discussing with her mother, another animator, how she’s handling her puppets. Her mother corrects her in a menacing tone that she is the actual puppet. When it comes to art, the artist tends to submit themselves to a certain kind of madness that becomes a part of the process of creation and death. Robert Morgan’s horror thriller is a brilliant look in to the creative process and the often maddening process that can come with being an artist. In particular, Morgan focuses on the grueling task of stop motion animation and writes a film that’s both a love letter and dire warning to any artist that gives themselves over to the art form.

It’s bound to inspire much analysis from its audience.

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99¢ Pizza (2022) [CINEJOY 2023]

I don’t know if Director Lucas Ansel was attempting to mimic a dream, if so, he comes damn close to the general feeling of being in one. Created with some striking stop motion animation, “99¢ Pizza” is a bizarre short but sweet thriller that works as some really trippy animated fare.

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An Ostrich Told Me the World Is Fake and I Think I Believe It (2022)

Director Lachlan Pendragon’s “An Ostrich…” is probably one of the more inventive shorts about creating, the idea of a higher being, and what happens when our creations take on a life of their own. “An Ostrich…” utilizes interesting filmmaking mediums and a collaboration of two art forms to unfold a very self aware and entertaining meta-satire.

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The House (2022)

“The House” is one of the most unnerving and abstract anthologies ever made. Despite its stop motion format, and meticulous attention to detail, “The House” introduces a trio of short films that border on horror but explore more interesting themes. The directors choose to change animation forms through the trio of shorts, and they’re all interconnected with a house that’s basically a menacing character all on its own.

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