One of the most feared assassins of the Joseon dynasty finds himself in a position where he can no longer practice his craft, having a heart condition that limits his capacities. He soon finds himself in a village, working as a restaurant server when he is pulled back into his previous career.
Courtesy of Undercrank Productions, “Alexandre Dumas’ The Three Musketeers” starring Douglas Fairbanks garners a brand new DVD restoration. With a new score by Ben Model (along with new color tinting digital restoration, and stabilization), and with restoration by Karl Malkames, “The Three Musketeers” can be appreciated in a new edition and new vision. One of the many iterations of the classic action tale, “The Three Musketeers” stars film icon Douglas Fairbanks as the noble swordsman D’ Artagnan a young man who goes to Paris to become an ally to three of the best swordsmen alive. They are, of course, Athos as played by Leon Bary, Porthos as played by George Siegmann, and Aramis as played by Eugene Pallette.
Yet another iteration of “A Connecticut Yankee in King Arthur’s Court,” this time around Antony Anderson focuses on what happens when an out of time teen is set to become the king in place of King Arthur. Jason McSkimming gives a tolerable performance as young Zack, a teen who is angry about moving away from his home and longs to be a part of medieval times where honor and evil were easy to tell apart. Or some nonsense like that, I was never sure what he was rambling about. Zack is so anxious to go back in time he wills it thanks to the magic of the evil Morgause.
It dawned upon me watching the opening of “The Desolation of Smaug”: Did we really need the first movie? The entirety of the first film is so based on propping up storylines that “The Desolation of Smaug” wastes no time and drops in to the action. We could have just featured thirty minutes establishing the journey and cut to the opening scene. In “The Desolation of Smaug,” the writers provide a prologue where Gandalf meets Thorin in a pub and asks him to lead the journey. They proclaim they need a “burglar,” and cut to Bilbo Baggins in action. So, what was the point of the first movie? The opening shot of Bilbo hiding in the rocks with his allies speaks sounds more than the entire director’s cut of “An Unexpected Journey” could.
For a movie with the subtitle “An Unexpected Journey,” Bilbo Baggins really does get a huge notice ahead of time. In fact he has enough notice to run away from his home and let the dwarves wait at his door step. Director Peter Jackson really has his work cut out for him, as he has to adapt “The Hobbit” while also trying to remind the audience that this is connected in a large way to “Lord of the Rings.” So, he shoe horns in a cameo from Frodo Baggins, as played by Elijah Wood, and we then enter in to the rather long story afoot.