Rewriting history comes with multiple risks, Peter Jackson’s attempt to reconfigure the sour legacy of the 1970s Beatles documentary “Let It Be” with this three-part series works at several levels and falls short at others.
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Tag Archives: The Beatles
The Bootleg Files: The Beatles Forever
BOOTLEG FILES 787: “The Beatles Forever” (1977 all-star train wreck).
LAST SEEN: On YouTube.
AMERICAN HOME VIDEO: None.
REASON FOR BOOTLEG STATUS: No serious person would put this out in front of the public again.
CHANCES OF SEEING A COMMERCIAL DVD RELEASE: Unlikely.
Fuck that three-part Disney+ rehash of mountains of discarded footage from the making of “Let It Be” – the real Beatles rediscovery emerged on YouTube last week via someone going by the handle of Denton115. This beautiful individual has brought back one of the most brilliantly embarrassing television specials ever dropped on an unsuspecting world: “The Beatles Forever,” a one-hour atrocity that NBC threw on an unsuspecting America on Thanksgiving night of 1977.
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10 Of The Most Intriguing Films That Were Never Made
Film history is littered with proposed projects that seemed tantalizing in concept, but somehow never found their way before the cameras. But were these aborted efforts destined to succeed? Seriously, would Stanley Kubrick’s proposed biopic of Napoleon or Alejandro Jodorowsky’s “Dune” been instant classics? I think that some vigorous debates could be enjoyed on whether or not we should be fortunate those works never got made.
Disney+ to Premiere ‘The Beatles: Get Back’ in November
The long-awaited updating of the 1970 Beatles’ film “Let It Be” will not be seen on the big screen, but instead will be available to subscribers of the Disney+ streaming service.
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The Beatles: Get Back – A Sneak Peek
The 1970 film “Let It Be” has always been a sore spot for both the Beatles and its fans, with its depressing view of the band’s final stretch amid a state of emotional and creative tensions. The film has intentionally been kept out of commercial since the late 1980s, and repeated announcements of the year of a digital restoration and release were never followed through with the film’s return.
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Yesterday (2019) [Blu-Ray/DVD/Digital]
Director Danny Boyle and writer Richard Curtis have a fascinating premise for “Yesterday,” and when all is said and done, after two hours, they—have a fascinating premise. They don’t actually do much with it, in all honesty. They take what could have been a unique and bizarre tale about an iconic band completely inexplicably being erased from all of culture around the world and turn it in to a conventional tale of rags to riches. I mean the script does nothing with the idea of the Beatles not existing. What would happen to all the singers, performers, bands, and artists they inspired? Would they cease to exist as a whole? “Yesterday” barely scratches the surface at two hours.
I Wanna Hold Your Hand (1978): Criterion Collection [Blu-Ray]
Robert Zemeckis’ “I Wanna Hold Your Hand” is a charming, if flawed tribute to the Beatles and the rampant Beatles Mania that ran throughout much of the late sixties. I’m sure Zemeckis bear witness to a lot of the “Beatlemania,” and his film seems to come from a place of experience. For folks that loved movies like “American Graffiti” or “Dazed and Confused,” Zemeckis’ 1978 comedy is one of those movie set over the course of a night that centers on a group of teenagers that are so devoted to the Beatles, they risk just about everything to see them on the Ed Sullivan Show.
I Wanna Hold Your Hand (1978)
I was never really sure what Robert Zemeckis intended with “I Wanna Hold Your Hand.” Was he showing us the sheer mania that erupted with the arrival of the Beatles, or is he purposely exaggerating the mania of the arrival of the Beatles? That sense of confused tone tends to keep “I Wanna Hold Your Hand” from turning in to a great nostalgia time capsule comedy (Ironically the great nostalgia time capsule comedy would eventually become Zemeckis’ film “Back to the Future”). Instead it’s merely an okay nostalgia time capsule comedy that reaches for the heights of “American Graffiti,” but never quite touches that high bar.