Ken Russell’s adaptation of The Who’s rock opera “Tommy” is surreal, vivid, out of this world, and incredibly phantasmagorical. It’s everything you’d expect from Russell, and “Tommy” is every bit as unusual and mind blowing as the original rock opera is. What can you expect from a story about a young boy stricken deaf, dumb, and blind by his uncle Frank and mother Nora. With an irreversible disability, Tommy is left without the sensation to feel, or understand, or comprehend most things, so he’s a victim to everyone in his life, most of who are predators and sadistic monsters. Eventually Tommy becomes something of a deity when he gains the ability to sense certain elements of his environment, including the game of pinball.