Director Brian K. Rosenthal’s “Fever” is a short but sweet spooky tale that uses a parent’s anxiety against them. He accentuates the anxiety with the introduction of a spooky creature, one that has absolute feature length potential. Fingers crossed. “Fever” does what most spooky stories do by taking a real world anxiety and completely elevates it in to a horrifying tale.
One thing that I had a problem with “Old” on is that M. Night Shyamalan sets up a lot of plot elements to his mystery that he doesn’t seem prepared to answer. Deep down, “Old” is a great concept and amounts to a pretty eerie movie. But the end result of “Old” is a great idea on paper that results in a clunky and occasionally silly movie that never quite knows how to close its narrative competently. “Old” seems to aspire toward cosmic horror, though it can never quite stick the landing when it comes to the Lovecraftian themes.
Whatever you feel about horror or cosmic horror, you can never realty accuse director Zach Donohue of being unambitious. “The Unknowable” is a richly constructed horror film that takes influence from sub-genres like lo-fi horror and true crime documentaries for one of the more unnerving horror films I’ve seen in a while. Its H.P. Lovecraft meets Justin Benson and Aaron Moorhead, with a touch of David Cronenberg for good measure.
February 3rd, M. Night Shyamalan offers up another potentially great genre film with “Knock at the Cabin.” The film, based on the novel by Paul G. Tremblay, is a thriller that’s been kept mostly a mystery by its studio. There’s not a lot that’s known about it, but with the cast and dire tone, I’m optimistic Shyamalan will deliver. Being a long time Shyamalan fan, I thought I’d rank the list of films that he’s directed, from worst to best. These are, of course, only films he’s directed.
Do you have a favorite M. Night Shyamalan film? Let us know!
Director and Writer Tito Guillen’s short fan film for Miles Morales has a lot of feature film potential. It’s sad that it took so long for Miles Morales to garner his own animated film, but when it comes to feature films I think he could be an icon. That’s proven in “Miles Behind,” Tito Guillen’s tribute to Spider-Man that touches upon very socially relevant topics.
Writer/Director Brandon Cronenberg’s horror film promises to be one of the most polarizing, if not the most polarizing, film of the year. It’s a grotesque, beautiful, nauseating depiction of sickening hedonism and amorality in its seductive and repelling. It’s a kaleidoscopic orgy of sex and violence and pure blood thirst that, as art often does, comfort the disturbed, and disturb the comfortable. “Infinity Pool” is the very definition of body horror, a movie that both celebrates and abhors everything about the body.
Dave Parker’s sequel/spin off from the “Puppet Master” movie series is probably one of the most undercooked movies to come from the “Puppet Master” movie series, to date. In a time where Full Moon seems to be celebrating the flagship series, it’s sad to see movies like “Doktor Death” simply come out of the gates not trying to tell a story at all, or even respect the mythology of its predecessors.
I’ve been a fan of Paddy Considine’s since I saw him in his utterly frightening performance as a mentally imbalanced recluse in “A Room for Romeo Brass.” I also loved him in the schmaltzy albeit well-intentioned family drama in “In America,” and he flexes his keen ability to be both menacing and vulnerable with Shane Meadows’ “Dead Man’s Shoes”. Meadows’ revenge thriller is a very visceral revenge film that delves in the fall out from the breaking of a cardinal rule: Don’t ever fuck with a man’s family.