Tag Archives: TV Movie

post

The Bootleg Files: A Streetcar Named Desire

Posted on by

BOOTLEG FILES 928: “A Streetcar Named Desire” (1984 made-for-television film starring Ann-Margret and Treat Williams).

LAST SEEN: On YouTube.

AMERICAN HOME VIDEO: As a VHS video release only.

REASON FOR BOOTLEG STATUS: I have no idea why this is out of circulation.

CHANCES OF SEEING A COMMERCIAL DVD RELEASE: Nothing on the immediate horizon.

Remaking a classic film is always a thankless task, for nine times out of ten the remake is a pallid shadow that is eons removed from the artistry that made the original a beloved work. During the 1970s and 1980s there were plenty of misguided small-screen remakes of big-screen classics. Even the presence of genuine talent in those made-for television remakes couldn’t save them from being weak carbon copies – think of the 1972 “The Man Who Came to Dinner” with Orson Welles and Joan Collins, or the 1974 “Brief Encounter” with Richard Burton and Sophia Loren, or the 1976 “Dark Victory” with Elizabeth Montgomery and Anthony Hopkins, or the 1986 “Stagecoach” with Johnny Cash, Kris Kristofferson, and Willie Nelson.
Continue reading →

The Hobbit (1977)

Posted on by

Although not as good or edgy as Ralph Bakshi’s more adult interpretations of the “Lord of the Rings” novels, Rankin Bass’s “The Hobbit” is a very good animated movie that gets about as dark and edgy as possible. The movie is a nice and swiftly paced seventy seven minutes, allowing for this single adventure to go from point A to point B without ever missing a step. Unlike the bloated trilogy we saw from Peter Jackson, “The Hobbit” gets the job done significantly better, even if the pacing is particularly rushed.

Continue reading →

Stephen King’s The Shining (1997) [Blu-Ray]

Posted on by

Now Available on Physical Media from Scream Factory while the Original Novel is Also Available.

It’s no surprise that Stephen King did not like Stanley Kubrick’s 1980 version of “The Shining.” He’s gone on about it. And on. And on. And on. I’m sure he even brings it up whenever someone uses the word hotel, or Jack Nicholson, or axe, or twins. In either case, in 1997 Stephen King teamed up with long time collaborator Mick Garris to deliver a faithful, more epic version of “The Shining” and well—it’s fine. It’s an okay movie. It’s not a gem like Kubrick’s version but it’s not boring. And it has its supporters, if anything. And it’s aged pretty well, all things considered.

Continue reading →

Every Bugs Bunny Ever: Bugs Bunny’s Howl-oween Special (1977)

Posted on by

“Bugs Bunny’s Howl-Oween Special” is that kind of TV movie you watch when there’s really no other access to the Looney Tunes shorts that are presented here. That’s not to say “Bugs Bunny’s Howl-oween Special” is terrible, it’s just in line with a ton of the other Bugs Bunny holiday shorts. It’s about two minutes of original story with the nine shorts all cut, spliced, and redubbed to give what is an illusion of a story. One of the most jarring aspects of these specials is that it’s easy to discern what is the contemporary animated segments’ and what are the classic animated segments. This is made very easy in “Bugs Bunny’s Howl-Oween Special” as a majority of the animation is pretty terrible.

Continue reading →

Z-O-M-B-I-E-S 3 (2022)

Posted on by

In 2020’s “Z-O-M-B-I-E-S 2,” heroine Addison spent a lot of her arc trying to figure out if she was perhaps the “Great Alpha” werewolf. When that was a bust, we were left on a cliffhanger as Addison was left pondering on her origins. And we were given a clue—from outer space. The idea of Addison perhaps being an alien makes a ton of sense considering the character guidelines the movies follow, and with the final movie in Disney’s “Z-O-M-B-I-E-S,” Disney works fast to seal up any and all lingering questions about Addison and Zed.

Continue reading →

Z-O-M-B-I-E-S 2 (2020)

Posted on by

The follow up to the surprise 2018 hit musical is a superior movie in every way possible. Although there didn’t seem to be much that they could do with a follow up, “Z-O-M-B-I-E-S 2” does a darn good job in amplifying what was so great about the first one; the writers are great at adding on to the whole mythos of the town of Seabrook offering even more characters, more potential for more monsters, and give cheerleader Addison her own arc. While in the original she sought to fit in with the zombies, now she’s looking for her own group, unsure of where she really belongs after her experiences with Zed and Zombietown.

Continue reading →

Z-O-M-B-I-E-S (2018)

Posted on by

It’s an allegory for class divide. That’s basically all “Z-O-M-B-I-E-S” is. That doesn’t mean it’s not a good movie, but once you can get past the clumsy symbolism of the way the zombies are supposed to be the more impoverished individuals, while the humans are meant to be the upper echelon, “Z-O-M-B-I-E-S” is actually kind of a fun horror comedy musical. You wouldn’t think that they could really pull off a zombie horror comedy for kids, but Disney and director Paul Hoen do a pretty darn good job of it. Even if 2013’s “Bunks” is better.

Continue reading →