After being sent to spend the summer at his father’s, a teenage boy starts to suspect that his something is afoot at his neighbor’s house which leads him to look into a potential witch next door.
Tag Archives: Witchcraft
Coven (2020)
Simon, King of the Witches (1971)
The explanations I’ve read on online for “Simon, King of the Witches” insist that the obscure Andrew Prine movie is not meant to be taken seriously. It’s strictly dark comedy. But then you watch one of the most nonsensical unnecessary opening monologues ever filmed, and wonder if the writer himself was high while creating this genre confused tedious mess. “I really am one of the few true magicians,” Simon insists in the prologue, while declaring his affinity for magic, and aspirations to be a god. It is then followed by the man being arrested for vagrancy while being hulled away from his home: a sewer.
Häxan (Häxan: Witchcraft Through the Ages) (1922): Criterion Collection [Blu-Ray]
A hybrid of documentary and fiction, this silent film explores the history of witchcraft, demonology and satanism. It shows representations of evil in a variety of ancient and medieval artworks, offers vignettes illustrating a number of superstitious practices and presents a narrative about the persecution of a woman accused of witchcraft. The film ends by suggesting that the modern science of psychology offers important insight into the beliefs and practices of the past.
Into the Dark: Treehouse
I’m surprised “Treehouse” ends up being the best episode of Blumhouse and Hulu’s ambitious anthology “Into the Dark,” yet. I have to admit that I hated James Roday’s “Gravy,” so to see him approach “Treehouse” with a very relevant message, an inherent tone of terror, and some darkly comic undertones, was a welcome surprise. “Into the Dark” has been more hit than miss since its introduction in October, but with “Treehouse” it hits right out of the park as an ode to spring that explores hell having no fury like a woman scorned.
The Craft (1996): Collector’s Edition [Blu-Ray]
Just in time for “Women in Horror Month,” Andrew Fleming’s “The Craft” is one of those movies that’s gained some heavy cult momentum over the years, and for good reason. Even with the nineties aesthetic, “The Craft” has aged quite well offering up a mature genre picture that begins as a coming of age supernatural drama and gradually transforms in to a horror film. There just aren’t films like “The Craft” anymore, and that’s a shame, since Andrew Fleming offers up a unique tale of good and evil, and power corrupting absolutely.
Blair Witch (2016)
It’s just such a travesty that Adam Wingard’s shot at the “Blair Witch” mythology flopped and has been generally derided by fans alike. I, for one, completely loved “Blair Witch,” not only for being such a unique and terrifying experience, but for the respect Adam Wingard has for the mythology. Even if you never bothered to watch those documentaries about Burkittsville, director Wingard brings everything full circle, including nods to the documentaries, the much derided sequel, and the original film. It’s a legacy sequel, but one that also acts as an impromptu book end to the whole series. After this I don’t know when we’ll ever see anything about the Blair Witch ever again, but it’s a great consolation the series goes out on this note.