There’s a lot of head scratching moments during director Becca Kozak’s horror comedy “Last Call,” and that’s both a good thing and a band thing. Director Kozak definitely relies on not really leaning on expectations, but that leads us down a bizarre narrative that I, frankly, wasn’t too clear on. It’s unpredictable, and weird, which is a plus. But I couldn’t quite understand to what end our villains were working toward.
Tag Archives: Witches
Requiem (2021)
A film like “Requiem” is just begging to be turned in to a feature, as I think a lot of the whole Salem Witch Trials is capable of interesting stories. “Requiem” is not so much a tale about the Salem Witch Trials, and how it became a scapegoat for hate, repression, and homophobia.
The Unknowable (2022)
Whatever you feel about horror or cosmic horror, you can never realty accuse director Zach Donohue of being unambitious. “The Unknowable” is a richly constructed horror film that takes influence from sub-genres like lo-fi horror and true crime documentaries for one of the more unnerving horror films I’ve seen in a while. Its H.P. Lovecraft meets Justin Benson and Aaron Moorhead, with a touch of David Cronenberg for good measure.
The Conjuring: The Devil Made Me Do It (2021) [4K UHD/Blu-Ray/Digital]
“The Conjuring” cinematic universe/series has been a horror ride of varying degrees. It’s had its great highs and its depressing lows (Ahem—“Annabelle”), and in spite of delivering two genuine horror classics, the mainline movie series can’t quite escape the dreaded curse of the third film. While “The Devil Made Me Do It” is not at all a bad movie per se, it’s not high in scares or tension as the first two films. The first two movies relied on mounting tension and absolute terror, while “The Devil Made Me Do It” feels a lot more like if they took the series and tried to turn it in to a crime procedural.
Fear Street, Part 3: 1666 (2021)
Director Leigh Janiak’s creation of the “Fear Street” trilogy has to be one of the most impressive cinematic accomplishments this year. It’s tough to find a horror trilogy where every film feels different, but clicks together like a puzzle, so seamlessly. “Fear Street” had every chance of being a complete mess, especially with how it goes backward in time to fill in the gaps in its narrative. Not to mention the fact that it trusts audiences will return is ambitious and often impressive.
Fear Street, Part 1: 1994 (2021)
One of the many aspects of “Fear Street” that always set them apart from the “Goosebumps” books is that RL Stine relied a lot on folklore. With the “Fear Street” series, it depended a lot on the folklore and urban legend aesthetic, exploring more universal themes usually found there. There were always ideas about revenge, and mystery killers, and inherent terrifying nature of Halloween, and yes, even vampires. Fear Street always had something new to offer readers, and the movie carries that tradition.
Pungo: A Witch’s Tale (2020)
The witch of Pungo legend is interesting enough on its own, but when all was said and done, I don’t know if it warranted a movie. Director Cook uses the legend vaguely as a means of setting the stage for a larger scale narrative, as well as paying tribute to Virginia. In fact, the Virginia born director casts all Virginia based actors. It’s an admirable aspect to a movie that sadly falls apart and feels confused both in tone and genre. By the time the climax rolls around it never really makes up its mind.